Songwriter: Rick Boston Ryan Roxie Alice Cooper

Producer: Steve Lindsey

Walkin' through the tombstones
Go there everyday
Stood damn still I got a chill
Someone walked across my grave

Stroll across the killing fields
In the middle of the night
Walked across the fire
In the cold moon light

Black cat crossed my pathway
Winks her juju eye
Cross myself and kiss this world goodbye

Nights alive with music
Puts me in a trance
Sneak up on the bonfire
Watch the zombies dance

My tongue is hot and burnin'
When I try to speak
Spirit is so willing
My flesh is gettin' weak
Yeah, it's gettin' weak

Now I ain't superstitious
Don't roll no juju bones
Someone calls in the middle of the night
And no one's on the phone

Black cat crossed my pathway
Winks her juju eye
I crossed myself and kiss this world goodbye

I ain't superstitious
Don't roll no voodoo bones
Someone calls in the middle of the night
No ones on the phone

Nights alive with music
Nights alive with music

Alice Cooper

Alice Cooper is the stage name and ‘fun villain’ character of Vincent Furnier. Cooper became the target of parents and ministers for his dark lyrics and gory theatrical performances that earned him the title Godfather of Shock Rock. Despite once claiming the name was conjured from a ouija board that told him he’s the reincarnation of a 17th century witch, Cooper laughs the topic off with flippant answers like “It was either a Scrabble board or a bowl of alphabet soup” and “I didn’t want a name like Iron Butterfly or Black Sabbath. I wanted it to be something your aunt might be called.”

The band Alice Cooper was originally signed by Frank Zappa to his own record label. Their first notoriety came when Cooper tossed a wayward chicken (possibly arranged by long-time manager Shep Gordon) into the crowd, who then tore it apart at the 1969 Toronto Rock ‘n’ Roll Revival Festival. Newspapers claimed he’d bit the bird’s head off and drank its blood. Zappa advised them to not deny the story and Cooper used it as inspiration to make his character darker.

The band’s teaming with producer Bob Ezrin for their third album Love It To Death led to their US breakthrough with a top 30 hit “I’m Eighteen” in early 1971. By then, the band was already infamous for their stage show, which had escalated into simulated torture and executions. That same year, Killer was released with its two singles “Under My Wheels” and “Be My Lover” finding moderate US success, and both albums being certified gold the following year.