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Who Do You Think We AreAlice Cooper

Songwriter: Alice Cooper Duane Hitchings

Producer: Richard Podolor

Who do you think we are

I'm machinery
With a semi-automatic heart
I'm unclassified
I terminate, I tear apart
I'm always there when you think I'm not
I'm razor sharp and I'm white and hot
My finger squeezes out the final shot
Say "Goodbye"

No integrity
No conscience, I'm just sold and bought
I'm insanity
I'm a camouflag-ed work of art
I've done some things
I really can't describe
I've made some mouths open pretty wide
And I am licensed - trained and bona fide
Say "Goodbye"

Who do you think we are
Special forces in an armored car
Who do you think we are
We don't care, we don't care

I'm carnivorous
Can't count the flesh that I've been through
Never sick of this
I'm red and white and black and blue
I'm always there when you think I'm not
I'm razor sharp and I'm white and hot
My finger squeezes out the final shot
Say "Goodbye"

Who do you think we are
Special forces in an armored car
Who do you think we are
We don't care, we don't care

Alice Cooper

Alice Cooper is the stage name and ‘fun villain’ character of Vincent Furnier. Cooper became the target of parents and ministers for his dark lyrics and gory theatrical performances that earned him the title Godfather of Shock Rock. Despite once claiming the name was conjured from a ouija board that told him he’s the reincarnation of a 17th century witch, Cooper laughs the topic off with flippant answers like “It was either a Scrabble board or a bowl of alphabet soup” and “I didn’t want a name like Iron Butterfly or Black Sabbath. I wanted it to be something your aunt might be called.”

The band Alice Cooper was originally signed by Frank Zappa to his own record label. Their first notoriety came when Cooper tossed a wayward chicken (possibly arranged by long-time manager Shep Gordon) into the crowd, who then tore it apart at the 1969 Toronto Rock ‘n’ Roll Revival Festival. Newspapers claimed he’d bit the bird’s head off and drank its blood. Zappa advised them to not deny the story and Cooper used it as inspiration to make his character darker.

The band’s teaming with producer Bob Ezrin for their third album Love It To Death led to their US breakthrough with a top 30 hit “I’m Eighteen” in early 1971. By then, the band was already infamous for their stage show, which had escalated into simulated torture and executions. That same year, Killer was released with its two singles “Under My Wheels” and “Be My Lover” finding moderate US success, and both albums being certified gold the following year.

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