Beyoncé

Songwriter: Wanyá Morris Nathan Morris Cainon Lamb Michael Bivins Julie Frost Ester Dean Shea Taylor Beyoncé The-Dream

Producer: Shea Taylor Cainon Lamb The-Dream Isabella Summers

[Chorus]
Oh, killing me softly and I'm still falling
Still the one I need, I will always be with you
Oh, you got me all gone, don't ever let me go
Say it real loud if you fly
If you leave me you're out of your mind

[Hook]
My baby is a ten
We dressing to the nine
He pick me up, we eight
Make me feel so lucky, seven
He kiss me in his six
We be making love in five
Still the one I do this four
I'm trying to make us three
From that two
He still the one

[Verse 1]
There's up's and downs in this love
Got a lot to learn in this love
Through the good and the bad, still got love
Dedicated to the one I love, hey
Still love the way he talk, still love the way I sing
Still love the way he rock them black diamonds in that chain
Still all up on each other, ain't a damn thing change
My girls can't tell me nothing, I'm gone in the brain
I'm all up under him like it's cold, winter time
All up in the kitchen in my heels, dinner time
Do whatever that it takes, he got a winner's mind
Give it all to him, meet him at the finish line

[Refrain]
Me and my boo in my boo's coupe riding
All up in that black with his chick right beside him
Ladies, if you love your man, show him you the fliest
Grind up on it, girl, show him how you ride it
Me and my boo in my boo's coupe riding
All up in that black with his chick right beside him
Ladies, if you love your man, show him you the fliest
Grind up on it, girl, show him how you ride it

[Chorus]
Oh, killing me softly and I'm still falling
Still the one I need, I will always be with you
Oh, you got me all gone, don't ever let me go
Say it real loud if you fly
If you leave me, you're out of your mind

[Hook]
My baby is a ten
We dressing to the nine
He pick me up, we eight
Make me feel so lucky, seven
He kiss me in his six
We be making love in five
Still the one I do this four
I'm trying to make us three
From that two
He still the one

[Outro]
Damn, I think I love that boy, do anything for that boy (Boy)
Ooh, ooh, ooh, ooh
Grind up on it, girl, show him how you ride it
My girls can't tell me nothing, I'm gone in the brain
Gone in the brain
Gone in the brain
Gone in the brain

In the twenty-first century, no pop star was as poised, as polished, or as generally fierce as Beyoncé. She scored early success with Destiny’s Child, who started out as a sexier and sassier (if less adult) version of TLC, then steadily became more and more of a vehicle for Beyoncé’s operatic vocals and general diva-tude, which may have been the plan all along.

Whether appearing in TV spots, co-starring in films like Dreamgirls, or killing it every night on stadium tours, Beyoncé was omnipresent in the 2000s. Almost everybody, Beygency member or otherwise, loved shiny, hip-hop-fueled hits like “Crazy in Love”, and “Single Ladies (Put a Ring on It)”. Moving into the 2010s, Beyoncé fights on, gaining more and more traction in pop culture with her work and music.

She has made a significant impact upon the music landscape in general with her recent albums 4 and BEYONCÉ, which explored complex themes like motherhood, feminism, marriage, sexuality, and doubt in a greater depth. With Lemonade, she went a step further—the fierce, intimate exploration of marriage, infidelity, and forgiveness was her most personal and musically daring album yet.

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