Ohhh
I know that you treat me right
But still I thinking I gotta make you my next ex
I'm one to the next
And I think you're nice
But I saw something else I like
And I thinking I gotta make you my next ex
I'm one to the next
Ohhh

Today when I wake up
You didn't look the same as last night
And you just don't feel right anymore
I think that we should break up
There's no reason to make up
I won't fight
I? M just tired and I need a change

Sorry boy, but you got me bored, something's catching my eye
I was only satisfied for a little while
I gotta

Switch him out
Switch him out
Switch him out
Switch him out

Kick him out
Kick him out
Kick him out
Kick him out

Ohhh
I know that you treat me right
But still I thinking I gotta make you my next ex
I'm one to the next
And I think you're nice
But I saw something else that I like
I really thinking I gotta make you my next ex
I'm one to the next
Ohhh

You call me too frequently
I thought it was so sweet in the beggining
But now you're too clingy for me
You don't put the seat down
You don't clean the house how I like it (trifling)
That's reason in up your times expire

Sorry boy, but you got me bored, I gotta move around
If I ain't gotta a ring by now that means I'm not tied down
I gotta

Switch him out
Switch him out
Switch him out
Switch him out

Kick him out
Kick him out
Kick him out
Kick him out

Ohhh
I know that you treat me right
But still I thinking I gotta make you my next ex
I'm one to the next
And I think you're nice
But I saw something else that I like
I really thinking I gotta make you my next ex
I'm one to the next
Ohhh

I gotta
Switch him out
Switch him out
Switch him out
Switch him out

Kick him out
Kick him out
Kick him out
Kick him out

Ohhh
I know that you treat me right
But still I thinking I gotta make you my next ex
I'm one to the next
And I think you're nice
But still I see something else that I like
I really thinking I gotta make you my next ex
I'm one to the next
Ohh

Beyoncé

In the twenty-first century, no pop star was as poised, as polished, or as generally fierce as Beyoncé. She scored early success with Destiny’s Child, who started out as a sexier and sassier (if less adult) version of TLC, then steadily became more and more of a vehicle for Beyoncé’s operatic vocals and general diva-tude, which may have been the plan all along.

Whether appearing in TV spots, co-starring in films like Dreamgirls, or killing it every night on stadium tours, Beyoncé was omnipresent in the 2000s. Almost everybody, Beygency member or otherwise, loved shiny, hip-hop-fueled hits like “Crazy in Love”, and “Single Ladies (Put a Ring on It)”. Moving into the 2010s, Beyoncé fights on, gaining more and more traction in pop culture with her work and music.

She has made a significant impact upon the music landscape in general with her recent albums 4 and BEYONCÉ, which explored complex themes like motherhood, feminism, marriage, sexuality, and doubt in a greater depth. With Lemonade, she went a step further—the fierce, intimate exploration of marriage, infidelity, and forgiveness was her most personal and musically daring album yet.