Released: November 24, 2014

Featuring: Pharrell Williams

Songwriter: J-Roc Beyoncé Pharrell Williams James Fauntleroy The-Dream Justin Timberlake Timbaland

Producer: Beyoncé Pharrell Williams

[Intro: Beyoncé]
I love your face
You love the taste
That sugar babe, it melts away

[Verse 1: Beyoncé]
I kiss you and you lick your lips, I kiss you and you lick your lips
You like it wet and so do I, You like it wet and so do I
I know you never waste a drip, I know you never waste a drip
I wonder how it feels sometimes
Must be good to you

[Pre-Chorus: Beyoncé]
Keep me coming, keep me going, keep me coming, keep me going
Keep me humming, keep me moaning, keep me humming, keep me moaning
Don't stop loving 'til the morning, don't stop loving 'til the morning
Don't stop screaming, freaking, blowing

[Chorus: Beyoncé]
Can you eat my skittles?
It's the sweetest in the middle (yeah)
Pink is the flavor
Solve the riddle (yeah)
I'm-a lean back
Don't worry it's nothing major
Make sure you clean that
It's the only way to get the
Flavor

[Verse 2: Pharrell]
If you're thirsty and in love just hit your boy
I'm your milk man at your door
When you phone me I can see you with your cup
I'm just role playing
(Must be good to you)

[Pre-Chorus: Beyoncé]
Keep me coming, keep me going, keep me coming, keep me going
Keep me humming, keep me moaning, keep me humming, keep me moaning
Don't stop loving 'til the morning, don't stop loving 'til the morning
Don't stop screaming, freaking, blowing

[Chorus: Beyoncé]
Can you eat my skittles?
It's the sweetest in the middle (yeah)
Pink is the flavor
Solve the riddle (yeah)
I'm-a lean back
Don't worry it's nothing major
Make sure you clean that
It's the only way to get the
Flavor

[Interlude: Beyoncé]
I'm about to get into this, girls
This is for all the grown women out there

[Bridge: Beyoncé]
I can't wait 'til I get home so you can tear that cherry out
Turn that cherry out, turn that cherry out
I can't wait 'til I get home so you can tear that cherry out
Turn that cherry out, turn that cherry out
I want you to
Turn that cherry out, turn that cherry out
I want you to
Turn that cherry out, turn that cherry out
I want you to
Turn that cherry out, turn that cherry out
I want you to
Turn that cherry out, turn that cherry out

[Verse 3: Beyoncé]
Ooh I've had a naughty thought today, baby
Every time I close my eyes
Ooh get a glimpse of this candy paint
Don’t slip off when it drip off on top of your ride
When you see it here, lift it up then toss it babe
I know everything you want
I'm-a show you how I stroke (stroke it)
Bring ya work home on top of me
I'm-a let you be the, be the boss of me
I know everything you want
Give me that daddy long stroke

[Bridge: Beyoncé]
I can't wait 'til I get home so you can tear that cherry out
Turn that cherry out, turn that cherry out
I can't wait 'til I get home so you can tear that cherry out
Turn that cherry out, turn that cherry out
I want you to
Turn that cherry out, turn that cherry out
I want you to
Turn that cherry out, turn that cherry out
I want you to
Turn that cherry out, turn that cherry out
I want you to
Turn that cherry out, turn that cherry out

[Break]
Je ne sais quoi
Cherie, m'vle-ou
Aswe ya ce net al kole!

[Pre-Chorus: Beyoncé]
Keep me coming, keep me going, keep me coming, keep me going
Keep me humming, keep me moaning, keep me humming, keep me moaning
Don't stop loving 'til the morning, don't stop loving 'til the morning
Don't stop screaming, freaking, blowing

[Chorus: Beyoncé]
Can you eat my skittles?
It's the sweetest in the middle (yeah)
Pink is the flavor
Solve the riddle (yeah)
I'm-a lean back
Don't worry it's nothing major
Make sure you clean that
It's the only way to get the
Flavor

Beyoncé

In the twenty-first century, no pop star was as poised, as polished, or as generally fierce as Beyoncé. She scored early success with Destiny’s Child, who started out as a sexier and sassier (if less adult) version of TLC, then steadily became more and more of a vehicle for Beyoncé’s operatic vocals and general diva-tude, which may have been the plan all along.

Whether appearing in TV spots, co-starring in films like Dreamgirls, or killing it every night on stadium tours, Beyoncé was omnipresent in the 2000s. Almost everybody, Beygency member or otherwise, loved shiny, hip-hop-fueled hits like “Crazy in Love”, and “Single Ladies (Put a Ring on It)”. Moving into the 2010s, Beyoncé fights on, gaining more and more traction in pop culture with her work and music.

She has made a significant impact upon the music landscape in general with her recent albums 4 and BEYONCÉ, which explored complex themes like motherhood, feminism, marriage, sexuality, and doubt in a greater depth. With Lemonade, she went a step further—the fierce, intimate exploration of marriage, infidelity, and forgiveness was her most personal and musically daring album yet.