Released: April 23, 2016

Featuring: The Weeknd

Songwriter: DJ Khaled Bacharach & David DannyBoyStyles Ben Billions Geologist Avey Tare Panda Bear Hal David Burt Bacharach BOOTS Belly The-Dream Beyoncé The Weeknd

Producer: BOOTS Beyoncé Ben Billions DannyBoyStyles

[Chorus: Beyoncé]
Six inch heels, she walked in the club like nobody's business
Goddamn, she murdered everybody and I was her witness

[Verse 1: The Weeknd]
She's stacking money, money everywhere she goes
You know, pesos out of Mexico
De uno, commas and them decimals
She don't gotta give it up, she professional
She mixing up that Ace with that Hennessy
She love the way it tastes, that's her recipe
Rushing through her veins like it's ecstasy (Oh no)
She already made enough, but she'll never leave

[Chorus: Beyoncé]
Six inch heels, she walked in the club like nobody's business
Goddamn, she murdered everybody and I was her witness
She works for the money, she work for the money
From the start to the finish
And she worth every dollar, she worth every dollar
And she worth every minute

[Post-Chorus: Belly]
She work for the money
She work for the money
She work for the money
She work for the money

[Verse 2: Beyoncé]
She stack her money, money everywhere she goes
She got that Sake, her Yamazaki straight from Tokyo
Oh baby, you know, she got them commas and them decimals
She don't gotta give it up 'cause she professional

[Chorus: Beyoncé & The Weeknd]
Six inch heels, she walked in the club like nobody's business
Goddamn (Goddamn, babe)
She murdered everybody and I was her witness (Oh)
She works for the money (Work for the)
She work for the money (Work for the)
From the start to the finish (Oh baby)
And she worth every dollar (Worth every)
She worth every dollar (Work for the)
And she worth every minute

[Bridge: Beyoncé]
Stars in her eyes
She fights for the power, keeping time
She grinds day and night
She grinds from Monday to Friday
Work from Friday to Sunday, oh
She gon' slang
She too smart to crave material things
She pushing herself day and night
She grinds from Monday to Friday
Work from Friday to Sunday, oh
Stars in her eyes
She fights and she sweats those sleepless nights
But she don't mind, she loves the grind
She grinds from Monday to Friday
Works from Friday to Sunday, yeah, yeah
She gon' slang
Too smart to crave material things
Stacking her paper, stacking her cake up
She grinds from Monday to Friday
Works from Friday to Sunday

[Chorus: Beyoncé]
Six inch heels, she walked in the club like nobody's business
Goddamn, she murdered everybody and I was her witness
She works for the money, she work for the money
(Know just what to do to make you love me)
From the start to the finish
And she worth every dollar, she worth every dollar (Love me)
And she worth every minute

[Outro: Beyoncé]
Ooh, boy, I'll make you feel
You'll always come back to me
Come back, come back
Come back, come back
Come back, come back

[Produced By ​boots, Beyoncé, Ben Billions & Danny Boy Styles]

Beyoncé

In the twenty-first century, no pop star was as poised, as polished, or as generally fierce as Beyoncé. She scored early success with Destiny’s Child, who started out as a sexier and sassier (if less adult) version of TLC, then steadily became more and more of a vehicle for Beyoncé’s operatic vocals and general diva-tude, which may have been the plan all along.

Whether appearing in TV spots, co-starring in films like Dreamgirls, or killing it every night on stadium tours, Beyoncé was omnipresent in the 2000s. Almost everybody, Beygency member or otherwise, loved shiny, hip-hop-fueled hits like “Crazy in Love”, and “Single Ladies (Put a Ring on It)”. Moving into the 2010s, Beyoncé fights on, gaining more and more traction in pop culture with her work and music.

She has made a significant impact upon the music landscape in general with her recent albums 4 and BEYONCÉ, which explored complex themes like motherhood, feminism, marriage, sexuality, and doubt in a greater depth. With Lemonade, she went a step further—the fierce, intimate exploration of marriage, infidelity, and forgiveness was her most personal and musically daring album yet.