Released: April 23, 2016

Songwriter: Diana Gordon Beyoncé MeLo-X

Producer: Diana Gordon Beyoncé MeLo-X

[Chorus]
Sorry, I ain't sorry
Sorry, I ain't sorry
I ain't sorry, nigga, nah
Sorry, I ain't sorry
Sorry, I ain't sorry
I ain't sorry

[Verse 1]
He trying to roll me up (I ain't sorry)
I ain't picking up (I ain't sorry)
Headed to the club (I ain't sorry)
I ain't thinking 'bout you (I ain't sorry)
Me and my ladies sip my D'USSÉ cups
I don't give a fuck, chucking my deuces up
Suck on my balls, pause, I had enough (Sorry, I ain't sorry)
I ain't thinking 'bout you
I ain't thinking 'bout

[Pre-Chorus]
Middle fingers up, put them hands high
Wave it in his face, tell him, boy, bye (Sorry, I ain't sorry)
Tell him, boy, bye, boy, bye, middle fingers up
I ain't thinking 'bout you

[Chorus]
Sorry, I ain't sorry (You)
Sorry, I ain't sorry (You)
I ain't sorry, nigga, nah
I ain't thinking 'bout you
Sorry, I ain't sorry
Sorry, I ain't sorry, I ain't sorry
No, no, hell nah

[Verse 2]
Now you wanna say you're sorry
Now you wanna call me crying
Now you gotta see me wilding
Now I'm the one that's lying
And I don't feel bad about it
It's exactly what you get
Stop interrupting my grinding
(You interrupting my grinding)
I ain't thinking 'bout you

[Chorus]
Sorry, I ain't sorry
I ain't thinking 'bout you
I ain't thinking 'bout you
Sorry, I ain't sorry
I ain't thinking 'bout you
I ain't thinking 'bout you

[Pre-Chorus]
Middle fingers up, put them hands high
Wave it in his face, tell him, boy, bye (Bye) (Sorry, I ain't sorry)
Tell him, boy, bye (Bye), boy, bye (Bye)
Middle fingers up, I ain't thinking 'bout you

[Chorus]
Sorry, I ain't sorry
Sorry, I ain't sorry
I ain't sorry, nigga, nah
Sorry, I ain't sorry
Sorry, I ain't sorry
I ain't sorry
No, no, hell nah

[Bridge]
Looking at my watch, he shoulda been home
Today, I regret the night I put that ring on
He always got them fucking excuses
I pray to the Lord you reveal what his truth is

[Outro]
I left a note in the hallway
By the time you read it, I'll be far away
I'm far away
But I ain't fucking with nobody
Let's have a toast to the good life
Suicide before you see this tear fall down my eyes
Me and my baby, we gon' be alright
We gon' live a good life
Big homie better grow up
Me and my whoadies 'bout to stroll up
I see them boppers in the corner
They sneaking out the back door
He only want me when I'm not there
He better call Becky with the good hair
He better call Becky with the good hair

Beyoncé

In the twenty-first century, no pop star was as poised, as polished, or as generally fierce as Beyoncé. She scored early success with Destiny’s Child, who started out as a sexier and sassier (if less adult) version of TLC, then steadily became more and more of a vehicle for Beyoncé’s operatic vocals and general diva-tude, which may have been the plan all along.

Whether appearing in TV spots, co-starring in films like Dreamgirls, or killing it every night on stadium tours, Beyoncé was omnipresent in the 2000s. Almost everybody, Beygency member or otherwise, loved shiny, hip-hop-fueled hits like “Crazy in Love”, and “Single Ladies (Put a Ring on It)”. Moving into the 2010s, Beyoncé fights on, gaining more and more traction in pop culture with her work and music.

She has made a significant impact upon the music landscape in general with her recent albums 4 and BEYONCÉ, which explored complex themes like motherhood, feminism, marriage, sexuality, and doubt in a greater depth. With Lemonade, she went a step further—the fierce, intimate exploration of marriage, infidelity, and forgiveness was her most personal and musically daring album yet.