Beyoncé

Songwriter: Amanda Ghost Ian Dench Beyoncé

Producer: StarGate

[Verse 1]
I gotta give up to quiet
The storm that rages inside
The way that I hid my damage pride
You gave me away
And I've had enough
I imagine the words I say to you
I'm finding strength to follow it through
I'm ready to change

[Chorus]
I'm letting go, I'm letting go
We're only friends, we're only friends
Tonight we'll let the music free our soul
So let it show, so let it show
We can't pretend, we can't pretend
We'll only find ourselves by losing all
Control, control, control, control
Control, control, control, control

[Verse 2]
I'm opening up
Show me a sign I can't believe
These crazy emotions flow through me
I'm gonna explode, oh
You take me away
And what is my ordinary life
I won't be afraid of what we might find a love I can hold

[Chorus]
I'm letting go, I'm letting go
We're only friends, we're only friends
Tonight we'll let the music free our soul
So let it show, so let it show
We can't pretend, we can't pretend
We'll only find ourselves by losing all, no

[Bridge]
Nothing ventured, nothing gained
New horizon ready to paint
With every breath, you take me away

[Chorus]
I'm letting go, I'm letting go
We're only friends, we're only friends
Tonight we'll let the music free our soul
So let it show, so let it show
We can't pretend, we can't pretend
We only find ourselves by loosing all
Control, control, control, control
Control, control, control, control

In the twenty-first century, no pop star was as poised, as polished, or as generally fierce as Beyoncé. She scored early success with Destiny’s Child, who started out as a sexier and sassier (if less adult) version of TLC, then steadily became more and more of a vehicle for Beyoncé’s operatic vocals and general diva-tude, which may have been the plan all along.

Whether appearing in TV spots, co-starring in films like Dreamgirls, or killing it every night on stadium tours, Beyoncé was omnipresent in the 2000s. Almost everybody, Beygency member or otherwise, loved shiny, hip-hop-fueled hits like “Crazy in Love”, and “Single Ladies (Put a Ring on It)”. Moving into the 2010s, Beyoncé fights on, gaining more and more traction in pop culture with her work and music.

She has made a significant impact upon the music landscape in general with her recent albums 4 and BEYONCÉ, which explored complex themes like motherhood, feminism, marriage, sexuality, and doubt in a greater depth. With Lemonade, she went a step further—the fierce, intimate exploration of marriage, infidelity, and forgiveness was her most personal and musically daring album yet.

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ControlBeyoncé

Beyoncé

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