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Trouble in the Message CentreBlur

Released: April 25, 1994

Songwriter: Dave Rowntree Alex James Graham Coxon Damon Albarn

Producer: Stephen Street

[Verse 1]
I am the message centre
Local and direct
Room to room, an operator
(No calls today, dear, they'll just have to wait, dear)
I call and I collect
(So just strike him softly, away from the body)

[Chorus]
You're made up too shiny today (In so much trouble)
Your thoughts are just pissing away (In so much trouble)
So much trouble

[Verse 2]
I am a manager
And I am in control
As the local delegator
(No calls today, dear, they'll just have to wait, dear)
I offer no guarantee at all
(So don't take it lightly, you'll put yourself under)

[Chorus]
You're made up too shiny today (In so much trouble)
Your thoughts are just pissing away (In so much trouble)
A new typeface, a new day (In so much trouble)
You can't remember ten minutes ago (In so much trouble)
Too much trouble

[Instrumental break]

[Bridge]
La, la-la-la-la
La, la, la, la
La, la-la-la-la
La, la, la
(You'll put yourself under)

[Chorus]
You're made up too shiny today (In so much trouble)
Your thoughts are just pissing away (In so much trouble)
A new typeface, a new day (In so much trouble)
You can't remember ten minutes ago (In so much trouble)
Just too much trouble

[Bridge]
La, la-la-la-la
La, la, la, la
La, la-la-la-la
La, la, la, la
La, la-la-la-la
La, la, la, la
La, la-la-la-la
La, la, la, la
La, la-la-la-la
La, la, la, la
La, la-la-la-la
La, la, la, la
La, la-la-la-la
La, la, la, la

Blur

British rock group Blur formed in 1988 and began life as a fairly unsuccessful shoegaze/madchester outfit, but the band quickly developed into becoming one of the leaders of the massive 1990s Britpop scene.

Their rivalry with contemporaries Oasis culminated in one of the most famous chart battles in British history – one which Blur won when “Country House” outsold Oasis’s “Roll With It” by 50,000 copies, giving Blur their first #1 single in the process.

Following this, the group embarked on a new musical direction, deliberately heading away from their trademark Britpop sound and instead taking influences from American alternative rock, a sound which earned them new fans in the US and gave them their second UK #1: “Beetlebum” in 1997.

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