Bob Dylan

Released: September 11, 2001

Songwriter: Bob Dylan

Producer: Jack Frost (Bob Dylan)

Well, I had to go down and see a guy named Mr. Goldsmith
A nasty, dirty, double-crossin’, backstabbin’ phony I didn’t wanna have to be dealin’ with
But I did it for you and all you gave me was a smile
Well, I cried for you—now it’s your turn to cry awhile

I don’t carry deadweight—I’m no flash in the pan
All right, I’ll set you straight, can’t you see I’m a union man?
I’m lettin’ the cat out of the cage, I’m keeping a low profile
Well, I cried for you—now it’s your turn, you can cry awhile

Feel like a fighting rooster—feel better than I ever felt
But the Pennsylvania line’s in an awful mess and the Denver road is about to melt
I went to the church house, every day I go an extra mile
Well, I cried for you—now it’s your turn, you can cry awhile

Last night ’cross the alley there was a pounding on the walls
It must have been Don Pasqualli makin’ a two A.M. booty call
To break a trusting heart like mine was just your style
Well, I cried for you—now it’s your turn to cry awhile

I’m on the fringes of the night, fighting back tears that I can’t control
Some people they ain’t human, they got no heart or soul
Well, I’m crying to the Lord—I’m tryin’ to be meek and mild
Yes, I cried for you—now it’s your turn, you can cry awhile

Well, there’s preachers in the pulpits and babies in the cribs
I’m longin’ for that sweet fat that sticks to your ribs
I’m gonna buy me a barrel of whiskey—I’ll die before I turn senile
Well, I cried for you—now it’s your turn, you can cry awhile

Well, you bet on a horse and it ran on the wrong way
I always said you’d be sorry and today could be the day
I might need a good lawyer, could be your funeral, my trial
Well, I cried for you, now it’s your turn, you can cry awhile

Bob Dylan (born Robert Zimmerman May 24, 1941), is an American singer-songwriter, writer, and artist who has influenced popular music and culture for more than five decades. Dylan has especially played a critical role in the American folk music revival.

Dylan’s songs are built from myriad political, social, philosophical and literary influences. Many of his anti-war and civil-rights-influenced songs set social unrest, as journalists widely named him the “spokesman for his generation” in the 1960s.

The musician has a signature change in voice and style in many different albums of his throughout the decades. He has notably explored and experimented with the genres of folk, rap, blues, and rock.

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Love and Theft (2001)

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Bob Dylan

Love and Theft