Released: January 13, 1964

Songwriter: Bob Dylan

Producer: Tom Wilson (producer)

A bullet from the back of a bush took Medgar Evers’ blood
A finger fired the trigger to his name
A handle hid out in the dark
A hand set the spark
Two eyes took the aim
Behind a man’s brain
But he can’t be blamed
He’s only a pawn in their game

A South politician preaches to the poor white man
“You got more than the blacks, don’t complain
You’re better than them, you been born with white skin,” they explain
And the Negro’s name
Is used it is plain
For the politician’s gain
As he rises to fame
And the poor white remains
On the caboose of the train
But it ain't him to blame
He’s only a pawn in their game

The deputy sheriffs, the soldiers, the governors get paid
And the marshals and cops get the same
But the poor white man’s used in the hands of them all like a tool
He’s taught in his school
From the start by the rule
That the laws are with him
To protect his white skin
To keep up his hate
So he never thinks straight
'Bout the shape that he’s in
But it ain't him to blame
He’s only a pawn in their game

From the poverty shacks, he looks from the cracks to the tracks
And the hoof beats pound in his brain
And he’s taught how to walk in a pack
Shoot in the back, with his fist in a clinch
To hang and to lynch
To hide 'neath the hood
To kill with no pain
Like a dog on a chain
He ain't a-got no name
But it ain't him to blame
He’s only a pawn in their game

Today, Medgar Evers was buried from the bullet he caught
They lowered him down as a king
But when the shadowy sun sets on the one
That fired the gun
He’ll see by his grave
On the stone that remains
Carved next to his name
His epitaph plain
Only a pawn in their game

Bob Dylan

Bob Dylan (born Robert Zimmerman May 24, 1941), is an American singer-songwriter, writer, and artist who has influenced popular music and culture for more than five decades. Dylan has especially played a critical role in the American folk music revival.

Dylan’s songs are built from myriad political, social, philosophical and literary influences. Many of his anti-war and civil-rights-influenced songs set social unrest, as journalists widely named him the “spokesman for his generation” in the 1960s.

The musician has a signature change in voice and style in many different albums of his throughout the decades. He has notably explored and experimented with the genres of folk, rap, blues, and rock.