Released: October 12, 1999

Featuring: Lauryn Hill

Songwriter: Bob Marley

Producer: Stephen Marley

[Bob Marley] & [Lauryn Hill]
Turn your lights down low
And'a pull your window curtain
Oh let Jah moon come shining in
Into our life again
Saying ooh, it's been a long, long time [Long, long time]
I kept this message for you, girl
But it seem I was never on time
Still I wanna get through to you, girl
On time
On time

[Chorus]
I want to give you some love
I want to give you some good, good lovin'
Oh I, oh I, oh I
I want to give you some good, good lovin'

[Lauryn Hill] & (Bob Marley)
Turn your lights down low
Never ever try to resist, oh no
Oh let your love come shinin' in
Into our lives again
Saying: ooh, I love you, (I love you)
And I want you to know right now
Ooh I love you
And I want you to know right now
That I, that I
I wanna give you some love
I wanna give you some good, good lovin'
Oh I, oh I, oh I
I wanna give you some good, good lovin'

Pre - Hook : Lauryn Hill
Loving you is a like a song I replay
Every three minutes and thirty seconds of every day
And every chorus was written for us to recite
Every beautiful melody of devotion every night
This potion might, this ocean might carry me
In a wave of emotion to ask you to marry me
And every word, every second, and every third
Expresses a happiness more clearly than ever heard
And when I play ‘em, every chord is a poem
Telling the Lord how grateful I am cause I know him
The harmonies possess, a sensation similar to your caress
If you asking then I'm telling you it's yes
Stand in love, take my hand and love Jah bless
Right, right

[Bob]
I want to give you some good, good loving
Turn your lights down low
And-a pull your window curtains

[Lauryn]
And let Jah love come tumbling in
Into our lives again

[Bob]
Sayin’, it’s been a long, long time

[Lauryn]
I got this message for you, boy

[Bob]
But it seems I was never on time

[Lauryn]
Still I wanna get through to you, boy

[Bob and Lauryn]
On time
On time
I want to give you some love
I want to give you some good, good lovin'
Oh I, oh I, oh I
I wanna give you some good, good lovin’

[Lauryn]
Good, some good, good, good, good, good, good

[Bob]
I want to give you some good, good lovin'

[Lauryn]
Good, good
Oh I, oh I
I wanna give you some good, good lovin’
I wanna, I wanna, I wanna
I wanna, I wanna, I wanna
Oh oh, oh oh, oh oh
Yeah
Please don’t forget passionate
Babies in the bassinet
You call, we be ready
Ha ha, Ma steady
Yeah, yes
Baby love

Bob Marley

Marley’s legacy as Jamaica’s first star is quite important, though he wasn’t actually Jamaica’s first international star (hell by 1968, Reggae already had it’s first UK number 1), he had an image that was more memorable than that of Desmond Dekker. Marley’s career began thanks to one Jimmy Cliff, who before becoming a singer and actor, was a talent agent for Beverly’s, a local record label. Cliff would find Marley and as such would sign him to Beverly’s. now it is important to note that Beverly’s was owned by Leslie Kong, who’s importance in Early Reggae is huge. in 1962, Kong produced Marley’s first single “Judge Not”, however this would be the only single (at least until 1971), that Marley recorded with Leslie Kong. In 1963, Marley, Peter Tosh and Bunny Wailer would form The Wailers (today known as Bob Marley & The Wailers), 2 years later, their first album The Wailing Wailers was released. This first album was not a studio album though, and was more of a compilation of singles. In 1971, following their first releases outside of Jamaica (Soul Rebels, Soul Revolution and The Best of The Wailers), the Wailers were out of money, and stuck in the uk, they would end up in contact with Chris Blackwell, who would end up being the producer of every island Marley album since 1973. Before we get to Catch a Fire (the first Island album), it’s worth noting the massive irony about Marley’s career, Lee Perry and Leslie Kong, both important reggae producers did not produce his best work, this is not to downplay their importance though. in 1973, The Wailers released their landmark album CATCH A FIRE (which means burn in Hell), it was critically acclaimed and so was the next album Burnin'. in 1975, Marley scored his first uk hit, after supplying two massive hits for Johnny Nash and Eric Clapton, Marley finally had a hit of his own with No Woman No Cry (live version). in 1976, Marley was shot by a Jamaican who belived Marley advocated for the Socialist party in Jamaica, despite this setback and the ensuing exile to the uk after, the album made out of this, was fittingly Exodus. 1977’s Exodus was not the most successful Marley album, but it was his best, side 2 on it’s own was enough to make the album that iconic. Featuring Three Little Birds, One Love/People Get Ready, and Jamming, Side 2 was a treat, but Side 1 which ended with the title track is also a treat of it’s own. In the same sessions of Exodus, Kaya was born and with it came Is This Love. sadly Marley would not live to see the 80s, in 1979, he was diagnosed with cancer in his foot, and he would die from this in 1981. His legacy remains huge, especially in Jamaica and the UK.