Released: April 10, 2015

Songwriter: BONES

Producer: ​greaf

[Verse]
Walking through the village, hood up with no recognition
Compass pointed to the wind
Smoking, walking, never winning
Long sleeves so my rings don't shine in the sun
Young scholar, what’s a dollar, no I never needed one
Acting like funds fell down in my palms
Like it ain't just us, like I'm not just Bones
Tryna hit my phone, all you get is tones
Socializing is what I don't, I'm a never let it go
1930's trunk, leave the cotton sleeve tight
My floor got grain and the sun runs the lights
Vanderbilt vision, only bitten with precision
Fountains in the kitchen spitting while the chef still flipping
Still, death twisted, now I'm still life-giving
But I be life takin' if my happiness go missing
Growing up I never listened now they wish I would've changed
Cause every word spoken falls upon of arrangement
Opinions turn to files
I never ever save them
Views turn to photographs
I never ever frame them

[Outro]
SESH
What?

BONES

Elmo Kennedy O'Connor (b. January 11th, 1994), popularly known as BONES (formerly Th@ Kid), is an underground rapper from Muir Beach, CA. He is one of the four members of the “Seshollowaterboyz” and has actively released music under several other aliases, such as surrenderdorthy, OREGONTRAIL, and Ricky A Go-Go.

During his childhood, he and his family moved to the small town of Howell, Michigan where he attended school. Eventually, he dropped out at the age of 16 to pursue rap music. His brother, Elliot O'Connor, now Bones' manager, suggested Elmo come live with him in Los Angeles, California. There, he recorded most of his mixtapes and eventually met Xavier Wulf, Chris Travis, and Eddy Baker, people he eventually toured and performed with under their collective name SeshHollowWaterboyz (SHWB). He is of Irish ancestry and also the grandson of actor Robert Culp.

He’s known for his “emo rap” style of music, which is labeled as strictly his own, as well as the rapid rate he releases music (including 100 music videos and over 50 mixtapes), his resistance to joining major record labels, and charging money for his music, despite major interest by many.