Released: May 30, 2020

Songwriter: BONES

Producer: Lyson

[Verse]
Bitch, I'm feelin' like the Baja man the way I let them dogs out
Weapon up on my body, steppin' to Bones will be the wrong route
What in the fuck are you talkin' 'bout?
Your whole shit is going south
Bitch, I am the WeatherMan, I clap and now it's pourin' out
Rain rain, go away
Layin' back up in my grave
Blunt smoke runnin' all through my veins
Sun is up, I hide away
Shoot like I'm Hardaway
If you ever step in range
If you never seen me snap, I promise you never witness rage
Bitch, I be rollin' in the rain (backseat, bleedin' out)
Shit'd be different if I change, but that ain't an option now
Blinkin', I was darkened out, storm clouds, rollin' out
Morticians, they see me and they swiftly roll the red carpet out

[Refrain]
Back up in my zone (Zone)
I am what is wrong (Wrong)
Ride up to the cemetery, Daddy's home (What?)
Smoke another one (Down)
Pour another cup (Up)
I don't need much to continue my roll

BONES

Elmo Kennedy O'Connor (b. January 11th, 1994), popularly known as BONES (formerly Th@ Kid), is an underground rapper from Muir Beach, CA. He is one of the four members of the “Seshollowaterboyz” and has actively released music under several other aliases, such as surrenderdorthy, OREGONTRAIL, and Ricky A Go-Go.

During his childhood, he and his family moved to the small town of Howell, Michigan where he attended school. Eventually, he dropped out at the age of 16 to pursue rap music. His brother, Elliot O'Connor, now Bones' manager, suggested Elmo come live with him in Los Angeles, California. There, he recorded most of his mixtapes and eventually met Xavier Wulf, Chris Travis, and Eddy Baker, people he eventually toured and performed with under their collective name SeshHollowWaterboyz (SHWB). He is of Irish ancestry and also the grandson of actor Robert Culp.

He’s known for his “emo rap” style of music, which is labeled as strictly his own, as well as the rapid rate he releases music (including 100 music videos and over 50 mixtapes), his resistance to joining major record labels, and charging money for his music, despite major interest by many.