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WitchBoyBONES

Released: February 25, 2014

Songwriter: BONES

Producer: Cold Hart

[Hook]
Witch boy, witch boy, creepin' out the Styx boy
Long hair, long hair, lookin' like a bitch boy
White trash, white trash, blame that shit on Michigan
Troubled youth, troubled youth, mama gon' be missin me
Witch boy, witch boy, creepin' out the Styx boy
Long hair, long hair, lookin' like a bitch boy

[Verse]
I ain't ridin round in no Lamborghinis
Can't fuck with me like a bitch on her period
Can't fuck with me like a bitch and that's period
In the pickup, bumpin' sesh, sippin artesian
I'm a young dumb fuck with a bad attitude
Like a rifle, I raise it and aim it at you
Great head of hair and a velvet voice
I just look like death sitting in on my corpse

[Hook]
Witch boy, witch boy, creepin' out the Styx boy
Long hair, long hair, lookin' like a bitch boy
White trash, white trash, blame that shit on Michigan
Troubled youth, troubled youth, mama gon' be missin me
Witch boy, witch boy

BONES

Elmo Kennedy O'Connor (b. January 11th, 1994), popularly known as BONES (formerly Th@ Kid), is an underground rapper from Muir Beach, CA. He is one of the four members of the “Seshollowaterboyz” and has actively released music under several other aliases, such as surrenderdorthy, OREGONTRAIL, and Ricky A Go-Go.

During his childhood, he and his family moved to the small town of Howell, Michigan where he attended school. Eventually, he dropped out at the age of 16 to pursue rap music. His brother, Elliot O'Connor, now Bones' manager, suggested Elmo come live with him in Los Angeles, California. There, he recorded most of his mixtapes and eventually met Xavier Wulf, Chris Travis, and Eddy Baker, people he eventually toured and performed with under their collective name SeshHollowWaterboyz (SHWB). He is of Irish ancestry and also the grandson of actor Robert Culp.

He’s known for his “emo rap” style of music, which is labeled as strictly his own, as well as the rapid rate he releases music (including 100 music videos and over 50 mixtapes), his resistance to joining major record labels, and charging money for his music, despite major interest by many.

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