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CreepinOutDaKutBONES

Released: September 26, 2012

Songwriter: BONES

Producer: DJ Smokey

[Chorus: Sample]
Creeping out the cut with my yams, now Fly want some hay
Creeping out the cut with my yams, now Fly want some-some
Creep-Creep-Creeping out the cut with my yams, now Fly want some hay
Creeping out the cut, creeping out the cut, creep-creeping out the
Creeping out the cut with my yams, now Fly want some hay
Creeping out the cut with my yams, now Fly want some-some
Creep-Creep-Creeping out the cut with my yams, now Fly want some hay
Creeping out the cut, creeping out the cut, creep-creeping out the

[Verse: Bones]
Creeping out the cut and grab my gauge up off the fucking shelf
Busting drugs, busting guns, bitch, we don't know nothing else
If you tryna fucking step, get pressed up with that fucking TEC
A deuces between yo legs, I know you can't fuck with that
I blow out the busta's back, they know I stay fucking strapped
In that two-tone Chevrolet with that fucking MAC
The return of fucking rap, the return of the fucking mac
I'm back with that 90's flow, I go like it's '94
I pimp like it's '96, knock hoes like they dominos
They down on the fucking flo' and still asking for fucking mo'
Bitch, yeah, you gotta go, baby, I gotta run
The 5-O is watching, they found my prints on that fucking gun
Creeping out the cut and grab my gauge up off the fucking shelf
Busting drugs, busting guns, bitch, we don't know nothing else
If you tryna fucking step, get pressed up with that fucking TEC
A deuces between yo legs, I know you can't fuck with that

[Chorus: Sample]
Creeping out the cut with my yams, now Fly want some-some
Creep-Creep-Creeping out the cut with my yams, now Fly want some hay
Creeping out the cut, creeping out the cut, creep-creeping out the
Creeping out the cut with my yams, now Fly want some hay
Creeping out the cut with my yams, now Fly want some-some
Creep-Creep-Creeping out the cut with my yams, now Fly want some hay
Creeping out the cut, creeping out the cut, creep-creeping out the
Creeping out the cut with my yams, now Fly want some hay
Creeping out the cut with my yams, now Fly want some-some
Creep-Creep-Creeping out the cut with my yams, now Fly want some hay
Creeping out the cut, creeping out the cut, creep
Creeping out the cut with my yams, now Fly want some hay
Creeping out the cut with my yams, now Fly want some-some
Creep-Creep-Creeping out the cut with my yams, now Fly want some hay
Creeping out the cut, creeping out the cut, creep-creeping out the

[Outro: Sample]
Creeping out the cut with my yams, now Fly want some hay
Creeping out the cut with my yams, now Fly creeping out the
Creeping out the cut with my yams, now Fly want some hay
Creeping out the cut, creeping out the cut, creep-creeping out the
Creeping out the cut with my yams, want some-want some hay
Creeping-Creeping out the cut with my yams, now Fly want-want
Creep-Creep-Creeping out the cut with my yams, now Fly want some hay
Creeping out the cut, creeping out the cut, creep-creeping out the

BONES

Elmo Kennedy O'Connor (b. January 11th, 1994), popularly known as BONES (formerly Th@ Kid), is an underground rapper from Muir Beach, CA. He is one of the four members of the “Seshollowaterboyz” and has actively released music under several other aliases, such as surrenderdorthy, OREGONTRAIL, and Ricky A Go-Go.

During his childhood, he and his family moved to the small town of Howell, Michigan where he attended school. Eventually, he dropped out at the age of 16 to pursue rap music. His brother, Elliot O'Connor, now Bones' manager, suggested Elmo come live with him in Los Angeles, California. There, he recorded most of his mixtapes and eventually met Xavier Wulf, Chris Travis, and Eddy Baker, people he eventually toured and performed with under their collective name SeshHollowWaterboyz (SHWB). He is of Irish ancestry and also the grandson of actor Robert Culp.

He’s known for his “emo rap” style of music, which is labeled as strictly his own, as well as the rapid rate he releases music (including 100 music videos and over 50 mixtapes), his resistance to joining major record labels, and charging money for his music, despite major interest by many.

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