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TempoBONES

Released: February 7, 2016

Songwriter: BONES

Producer: Eric Dingus

[Chorus]
People wanna get close when the money come
And the beat goes on "parara-ram-pam-pam"
Gimme a second, I need to catch the tempo, tempo
Gimme a second, I'm caught in the limbo
People always gather round where the fire starts
They don't ever wanna help till we in the dark
Gimme a second, I need to catch the tempo, tempo
Gimme a second, I'm caught in the limbo

[Verse]
I used to sleep on a pool table
Now I got tables that's out by the pool
Back then thought life was a cruel fable
Now I realized I just didn't read through

[Chorus]
People wanna get close when the money come
And the beat goes on "parara-ram-pam-pam"
Gimme a second, I need to catch the tempo, tempo
Gimme a second, I'm caught in the limbo
People always gather round where the fire starts
They don't ever wanna help till we in the dark
Gimme a second, I need to catch the tempo, tempo
Gimme a second, I'm caught in the limbo

BONES

Elmo Kennedy O'Connor (b. January 11th, 1994), popularly known as BONES (formerly Th@ Kid), is an underground rapper from Muir Beach, CA. He is one of the four members of the “Seshollowaterboyz” and has actively released music under several other aliases, such as surrenderdorthy, OREGONTRAIL, and Ricky A Go-Go.

During his childhood, he and his family moved to the small town of Howell, Michigan where he attended school. Eventually, he dropped out at the age of 16 to pursue rap music. His brother, Elliot O'Connor, now Bones' manager, suggested Elmo come live with him in Los Angeles, California. There, he recorded most of his mixtapes and eventually met Xavier Wulf, Chris Travis, and Eddy Baker, people he eventually toured and performed with under their collective name SeshHollowWaterboyz (SHWB). He is of Irish ancestry and also the grandson of actor Robert Culp.

He’s known for his “emo rap” style of music, which is labeled as strictly his own, as well as the rapid rate he releases music (including 100 music videos and over 50 mixtapes), his resistance to joining major record labels, and charging money for his music, despite major interest by many.

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