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How You See the World No. 2Coldplay

Released: September 26, 2005

Songwriter: Will Champion Chris Martin Jonny Buckland Guy Berryman

Producer: Danton Supple

[Verse 1]
They put the world in a tin can
Black market, contraband
And it hurt just a little bit
When they sliced and packaged it
In a long black trench coat
Two hands around the throat
Oh, you wanna get it right sometimes

[Verse 2]
There's so much to be scared of
And not much to make sense of
How did the clowns ever get control?
If you hear can you let me know
How can they invade it
When it's so complicated?
Oh, you wanna get it right sometimes
You just wanna get it right sometimes

[Chorus]
That's how you see the world
How many times can you say
You can't believe what you heard?
That's how you see the world
Don't you worry yourself
You're not gonna get hurt
Oooh

[Verse 3]
When there's something missing
Seems like there's nobody listening
If you're running in a circle
How can you be too careful?
We don't wanna be man-trapped
We don't wanna be shrink-wrapped
Oh, just wanna get it right sometimes
We just wanna get it right sometimes

[Chorus]
That's how you see the world
How many times have you heard
That you can't believe a word?
That's how you see the world
Ah, don't you worry yourself
'Cause nobody can hurt you

[Outro]
That's how you see the world
That's how you see the world

Coldplay

Coldplay is a British rock band, formed in 1997 by University College London classmates Chris Martin (vocals, guitar, piano), Jonny Buckland (guitar) and Guy Berryman (bass), along with drummer Will Champion. The band’s name comes from Tim Crompton, a student who was in the same university as the members (University College London) at the time.

Once they issued their debut, Parachutes in 2000, many saw them as a Radiohead knock-off. No doubt, Coldplay’s sound —elegant, melodic, vaguely spacey and very dramatic — bore plenty of similarity to mid-1990s Radiohead. But the group’s hooks, sharpened by frontman Chris Martin’s ability to pull heartstrings, and the their willingness to evolve their sound, gave Coldplay staying power. The greatest examples are second album A Rush of Blood to the Head (2002), which was generally considered to be musically and lyrically more mature and sophisticated, and less obviously the product of one particular influence, and the fourth one Viva La Vida or Death and All His Friends (2008), where producer Brian Eno influenced the band to broaden their sound and led to various sonic landscapes. Both won the Grammy Award for Best Rock Album and spawned sucessful singles such as “Clocks”, “Viva la Vida”, “In My Place”, “Violet Hill” and “The Scientist”.

As a result, the band became one of the most commercially successful acts of the new millennium, with over 80 million albums sold – even if along with the acclaim came a vocal opposition, due to the supposedly derivative nature, the overtly emotional lyrics, and the fact they’re good-mannered English boys instead of wild rockstars. As a result, Coldplay are thought as either a punchline showing all that’s wrong with 21st century rock, or a really good if overplayed band with songs tailor made for stadium performances.

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