Released: June 5, 1967

Songwriter: Eric Clapton Martin Sharp

Producer: Felix Pappalardi

[Intro]
You thought the leaden winter
Would bring you down forever
But you rode upon a steamer
To the violence of the sun

[Verse 1]
And the colors of the sea
Bind your eyes with trembling mermaids
And you touch the distant beaches
With tales of brave Ulysses
How his naked ears were tortured
By the sirens sweetly singing
For the sparkling waves are calling you
To kiss their white laced lips

[Verse 2]
And you see a girl's brown body
Dancing through the turquoise
And her footprints make you follow
Where the sky loves the sea
And when your fingers find her
She drowns you in her body
Carving deep blue ripples
In the tissues of your mind

[Chorus]
The tiny purple fishes
Run laughing through your fingers
And you want to take her with you
To the hard land of the winter

[Verse 3]
Her name is Aphrodite
And she rides a crimson shell
And you know you cannot leave her
For you touched the distant sands
With tales of brave Ulysses
How his naked ears were tortured
By the sirens sweetly singing

[Chorus]
The tiny purple fishes
Run lauging through your fingers
And you want to take her with you
To the hard land of the winter

[Guitar Solo]

Cream

The members of this power trio, formed in the autumn of 1966, were all veterans of the blues revival. Guitarist Eric Clapton was the same prodigy who revealed himself with the Yardbirds, and who had contributed to the legendary recording of Bluesbreakers with John Mayall. Drummer Peter “Ginger” Baker, skilled at many forms of percussion, had already played, in 1960, with the Nigerian musician Fela Anikulapo Kuti, and in 1962 with Alexis Korner and the Graham Bond Organisation. Scottish bassist Jack Bruce had traveled some of the same roads as Baker, before joining Manfred Mann. Bruce and Clapton had met each other in the Powerhouse, a short-lived lineup put together by John Mayall, that also included Steve Winwood at the keyboard. With Cream these three virtuosos simply brought to fruition the experience that they developed in the London clubs, bringing to the rock concert stage long, electric, high volume improvisations.