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Panic in DetroitDavid Bowie

Released: April 13, 1973

Songwriter: David Bowie

Producer: Ken Scott David Bowie

[Verse 1]
He looked a lot like Che Guevara
Drove a diesel van
Kept his gun in quiet seclusion
Such a humble man
The only survivor of the National People's Gang

[Chorus]
Panic in Detroit
I asked for an autograph
He wanted to stay home
I wish someone would phone
Panic in Detroit

[Verse 2]
He laughed at accidental sirens
That broke the evening gloom
The police had warned of repercussions
They followed none too soon
A trickle of strangers were all that were left alive

[Chorus]
Panic in Detroit
I asked for an autograph
He wanted to stay home
I wish someone would phone
Panic in Detroit

[Bridge]
Putting on some clothes, I made my way to school
And I found my teacher crouching in his overalls
I screamed and ran to smash my favorite slot machine
And jumped the silent cars that slept at traffic lights

{Verse 3}
Having scored a trillion dollars
Made a run back home
Found him slumped across the table
A gun and me alone
I ran to the window, looked for a plane or two

[Chorus]
Panic in Detroit
He'd left me an autograph
"Let me collect dust."
I wish someone would phone
Panic in Detroit
Panic in Detroit

{Instrumental Outro}

David Bowie

David Bowie (1947 – 2016) was a British musician, and one of the most iconic rock stars with a widely diverse career where he frequently changed his appearance and musical style, resulting in an acclaimed discography comparable to other stalwarts such as The Beatles and Bob Dylan. Born David Robert Jones, Bowie quickly renamed himself to prevent confusion with The Monkees singer Davy Jones. Enduring many early missteps, he rose to prominence when his most famous song, “Space Oddity,” was played during the coverage of the Apollo 11 moon landing.

Despite this early breakthrough, Bowie remained a cult figure for several years. Even the release of Hunky Dory, his first great album, went largely unnoticed. Bowie only lodged himself firmly in the public consciousness when he announced his bisexuality and created Ziggy Stardust in early 1972. A Martian who combined the debauchery of Iggy Pop with the artistry of Lou Reed, Ziggy was the main character in Bowie’s breakthrough album, and his public persona for eighteen months.

Bowie used his new-found popularity to move to America, and dabble with new musical directions and cocaine. Diamond Dogs and Young Americans continue to divide critics, but Station To Station found Bowie at a new creative peak, despite escalating drug use and related health issues.

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