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Jump They SayDavid Bowie

Released: March 15, 1993

Songwriter: David Bowie

Producer: Nile Rodgers David Bowie

[Intro]
When comes the shaking man
A nation in his eyes
Striped with blood and emblazed tattoo
Streaking cathedral spire

[Verse 1]
They say
They say
They say
He has no brain
They say
He has no mood
They say
He was born again
They say
Look at him climb
They say jump
They say jump

[Verse 2]
They say
He has two gods
They say
He has no fear
They say
He has no eyes
They say
He has no mouth

[Chorus]
They say 'hey that's really something'
They feel he should get some time
I say he should watch his ass
My friend don't listen to the crowd
They say jump
They say jump
Watch out!

[Breakdown]
Watch out!
Watch out!

[Chorus]
They say 'hey that's really something'
They feel he should get some time
I say he should watch his ass
My friend don't listen to the crowd
They say jump

[Outro]
Got to believe somebody
They say jump
Jump
Got to believe somebody
They say jump
Jump
Got to believe
They say jump
Got to believe somebody
Jump
Got to believe
Jump
Got to believe somebody
Jump
Got to believe
Jump
Got to believe somebody
Jump
They say jump
They say jump
They say jump
They say jump

David Bowie

David Bowie (1947 – 2016) was a British musician, and one of the most iconic rock stars with a widely diverse career where he frequently changed his appearance and musical style, resulting in an acclaimed discography comparable to other stalwarts such as The Beatles and Bob Dylan. Born David Robert Jones, Bowie quickly renamed himself to prevent confusion with The Monkees singer Davy Jones. Enduring many early missteps, he rose to prominence when his most famous song, “Space Oddity,” was played during the coverage of the Apollo 11 moon landing.

Despite this early breakthrough, Bowie remained a cult figure for several years. Even the release of Hunky Dory, his first great album, went largely unnoticed. Bowie only lodged himself firmly in the public consciousness when he announced his bisexuality and created Ziggy Stardust in early 1972. A Martian who combined the debauchery of Iggy Pop with the artistry of Lou Reed, Ziggy was the main character in Bowie’s breakthrough album, and his public persona for eighteen months.

Bowie used his new-found popularity to move to America, and dabble with new musical directions and cocaine. Diamond Dogs and Young Americans continue to divide critics, but Station To Station found Bowie at a new creative peak, despite escalating drug use and related health issues.

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