Released: January 7, 1972

Songwriter: David Bowie

Producer: David Bowie Ken Scott

[Intro]
Oh yeah
Mmm

[Verse 1]
Still don't know what I was waiting for
And my time was running wild, a million dead-end streets and
Every time I thought I'd got it made
It seemed the taste was not so sweet
So I turned myself to face me
But I've never caught a glimpse
Of how the others must see the faker
I'm much too fast to take that test

[Chorus]
Ch-ch-ch-ch-changes (Turn and face the strange)
Ch-ch-changes, don't want to be a richer man
Ch-ch-ch-ch-changes (Turn and face the strange)
Ch-ch-changes, just gonna have to be a different man
Time may change me
But I can't trace time

[Interlude]
Oh yeah

[Verse 2]
I watch the ripples change their size
But never leave the stream of warm impermanence and
So the days float through my eyes
But still the days seem the same
And these children that you spit on
As they try to change their worlds
Are immune to your consultations
They're quite aware of what they're going through

[Chorus]
Ch-ch-ch-ch-changes (Turn and face the strange)
Ch-ch-changes, don't tell them to grow up and out of it
Ch-ch-ch-ch-changes (Turn and face the strange)
Ch-ch-changes, where's your shame?
You've left us up to our necks in it
Time may change me
But you can't trace time

[Bridge]
Strange fascination, fascinating me
Ah, changes are taking the pace I'm going through

[Chorus]
Ch-ch-ch-ch-changes (turn and face the strange)
Ch-ch-changes, oh, look out you rock 'n rollers
Ch-ch-ch-ch-changes (turn and face the strange)
Ch-ch-changes, pretty soon now you're gonna get older
Time may change me
But I can't trace time

[Outro]
I said that time may change me
But I can't trace time

David Bowie

David Bowie (1947 – 2016) was a British musician, and one of the most iconic rock stars with a widely diverse career where he frequently changed his appearance and musical style, resulting in an acclaimed discography comparable to other stalwarts such as The Beatles and Bob Dylan. Born David Robert Jones, Bowie quickly renamed himself to prevent confusion with The Monkees singer Davy Jones. Enduring many early missteps, he rose to prominence when his most famous song, “Space Oddity,” was played during the coverage of the Apollo 11 moon landing.

Despite this early breakthrough, Bowie remained a cult figure for several years. Even the release of Hunky Dory, his first great album, went largely unnoticed. Bowie only lodged himself firmly in the public consciousness when he announced his bisexuality and created Ziggy Stardust in early 1972. A Martian who combined the debauchery of Iggy Pop with the artistry of Lou Reed, Ziggy was the main character in Bowie’s breakthrough album, and his public persona for eighteen months.

Bowie used his new-found popularity to move to America, and dabble with new musical directions and cocaine. Diamond Dogs and Young Americans continue to divide critics, but Station To Station found Bowie at a new creative peak, despite escalating drug use and related health issues.