Songwriter: David Bowie

[Verse 1]
Fingertip sun at sideshow stalls
They throw the balls
At coconut fur that hides behind
Colored shades that blind your eyes
Every child's mother holds an ice-cream cone
They circle round
Perceived unknown by an eye that peers
From a hole in the tent where no one goes
A figure sitting cross-legged on the floor
He's clogged and clothed in saffron robes
His beads are all he owns

[Chorus]
Slow down
Slow down
Someone must have said "let's slow him down"
Slow down
Slow down
It's pictured on the arms of the karma man

[Verse 2]
Fairy tale skin
Depicting scenes from human zoos
Impermanent toys like peace and war
A gentle face you've seen before

Karma man tattooed on your side
The wheel of life
I see my times and who I've been
I only live now and I don't know why
I struggle hard to take these pictures in
But
All my friends can see is just the pinkness of his skin

[Chorus]
Slow down
Slow down
Someone must have said "let's slow him down"
Slow down
Slow down
It's pictured on the arms of the karma man

Slow down
Slow down
Someone must have said "let's slow him down"
Slow down
Slow down
It's pictured on the arms of the karma man

David Bowie

David Bowie (1947 – 2016) was a British musician, and one of the most iconic rock stars with a widely diverse career where he frequently changed his appearance and musical style, resulting in an acclaimed discography comparable to other stalwarts such as The Beatles and Bob Dylan. Born David Robert Jones, Bowie quickly renamed himself to prevent confusion with The Monkees singer Davy Jones. Enduring many early missteps, he rose to prominence when his most famous song, “Space Oddity,” was played during the coverage of the Apollo 11 moon landing.

Despite this early breakthrough, Bowie remained a cult figure for several years. Even the release of Hunky Dory, his first great album, went largely unnoticed. Bowie only lodged himself firmly in the public consciousness when he announced his bisexuality and created Ziggy Stardust in early 1972. A Martian who combined the debauchery of Iggy Pop with the artistry of Lou Reed, Ziggy was the main character in Bowie’s breakthrough album, and his public persona for eighteen months.

Bowie used his new-found popularity to move to America, and dabble with new musical directions and cocaine. Diamond Dogs and Young Americans continue to divide critics, but Station To Station found Bowie at a new creative peak, despite escalating drug use and related health issues.