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Beauty and the BeastDavid Bowie

Released: October 14, 1977

Songwriter: David Bowie

Producer: David Bowie Tony Visconti

[Verse 1]
Weaving down a byroad
Singing the song
That's my kind of highroad
Gone wrong

[Chorus]
My-my, smile at least
You can't say no to the Beauty and the Beast

[Verse 2]
Something in the night
Something in the day
Nothing is wrong but darling
Something's in the way
There's slaughter in the air
Protest on the wind
Someone else inside me
Someone could get skinned, how?

[Chorus]
My-my, someone fetch a priest
You can't say no to the Beauty and the Beast, darling

[Instrumental]

[Chorus]
My-my
You can't say no to the Beauty and the Beast
My-my
You can't say no to the Beauty and the Beast

[Bridge]
I wanted to believe me
I wanted to be good
I wanted no distractions
Like every good boy should, my-my

[Verse 3]
Nothing will corrupt us
Nothing will compete
Thank God heaven left us
Standing on our feet

[Chorus]
My-my, Beauty and the Beast, my-my
Just Beauty and the Beast
You can't say no to the Beauty and the Beast, darling
My-my, my-my

David Bowie

David Bowie (1947 – 2016) was a British musician, and one of the most iconic rock stars with a widely diverse career where he frequently changed his appearance and musical style, resulting in an acclaimed discography comparable to other stalwarts such as The Beatles and Bob Dylan. Born David Robert Jones, Bowie quickly renamed himself to prevent confusion with The Monkees singer Davy Jones. Enduring many early missteps, he rose to prominence when his most famous song, “Space Oddity,” was played during the coverage of the Apollo 11 moon landing.

Despite this early breakthrough, Bowie remained a cult figure for several years. Even the release of Hunky Dory, his first great album, went largely unnoticed. Bowie only lodged himself firmly in the public consciousness when he announced his bisexuality and created Ziggy Stardust in early 1972. A Martian who combined the debauchery of Iggy Pop with the artistry of Lou Reed, Ziggy was the main character in Bowie’s breakthrough album, and his public persona for eighteen months.

Bowie used his new-found popularity to move to America, and dabble with new musical directions and cocaine. Diamond Dogs and Young Americans continue to divide critics, but Station To Station found Bowie at a new creative peak, despite escalating drug use and related health issues.

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