Released: December 17, 1971

Songwriter: David Bowie

Producer: Ken Scott David Bowie

[Intro]

[Verse 1]
Oh, hear this Robert Zimmerman
I wrote a song for you
About a strange young man called Dylan
With a voice like sand and glue
His words of truthful vengeance
They could pin us to the floor
Brought a few more people on
And put the fear in a whole lot more

[Chorus]
Ah, here she comes, here she comes
Here she comes again
The same old painted lady
From the brow of a superbrain
She'll scratch this world to pieces
As she comes on like a friend
But a couple of songs from your old scrapbook
Could send her home again

[Verse 2]
You gave your heart to every bedsit room
At least a picture on my wall
And you sat behind a million pair of eyes
And told them how they saw
Then we lost your train of thought
The paintings are all your own
While troubles are rising, we'd rather be scared
Together than alone

[Chorus]
Ah, here she comes, here she comes
Here she comes again
The same old painted lady
From the brow of a superbrain
She'll scratch this world to pieces
As she comes on like a friend
But a couple of songs from your old scrapbook
Could send her home again

{Instrumental Bridge}

[Verse 3]
Now hear this Robert Zimmerman
Though I don't suppose we'll meet
Ask your good friend Dylan
If he'd gaze a while down the old street
Tell him we've lost his poems
So we're writing on the walls
Give us back our unity
And give us back our family
You're every nation's refugee
Don't leave us with their sanity

[Chorus]
Ah, here she comes, here she comes
Here she comes again
The same old painted lady
From the brow of a superbrain
She'll scratch this world to pieces
As she comes on like a friend
But a couple of songs from your old scrapbook
Could send her home again

Ah, a couple of songs from your old scrapbook
Could send her home again
Oh, here she comes, ooh, here she comes
Oh, here she comes, ooh

{Instrumental Outro}

David Bowie

David Bowie (1947 – 2016) was a British musician, and one of the most iconic rock stars with a widely diverse career where he frequently changed his appearance and musical style, resulting in an acclaimed discography comparable to other stalwarts such as The Beatles and Bob Dylan. Born David Robert Jones, Bowie quickly renamed himself to prevent confusion with The Monkees singer Davy Jones. Enduring many early missteps, he rose to prominence when his most famous song, “Space Oddity,” was played during the coverage of the Apollo 11 moon landing.

Despite this early breakthrough, Bowie remained a cult figure for several years. Even the release of Hunky Dory, his first great album, went largely unnoticed. Bowie only lodged himself firmly in the public consciousness when he announced his bisexuality and created Ziggy Stardust in early 1972. A Martian who combined the debauchery of Iggy Pop with the artistry of Lou Reed, Ziggy was the main character in Bowie’s breakthrough album, and his public persona for eighteen months.

Bowie used his new-found popularity to move to America, and dabble with new musical directions and cocaine. Diamond Dogs and Young Americans continue to divide critics, but Station To Station found Bowie at a new creative peak, despite escalating drug use and related health issues.