David Bowie

Sickened by sun, with rainstorms lashing him rotten
A looted wreath crowning his tangled hair
Every moment of his youth apart from its dream was forgotten
Gone the roof overhead, but the sky was always there

Oh you, who are flung out, alike from heaven and from Hades
You murderers who've been so bitterly repaid
Why did you part from the mothers who nursed you as babies
It was peaceful and you slept and there you stayed

Still he explores and rakes the absinthe green oceans
Though his mother has given him up for lost
Grinning and cursing with a few odd tears of contrition
Always in search of that land where life seems best

Loafing through hells and flocked through paradises
Calm and grinning, with a vanishing face
At times he still dreams of a small field he recognises
With a blue sky overhead and nothing else

David Bowie (1947 – 2016) was a British musician, and one of the most iconic rock stars with a widely diverse career where he frequently changed his appearance and musical style, resulting in an acclaimed discography comparable to other stalwarts such as The Beatles and Bob Dylan. Born David Robert Jones, Bowie quickly renamed himself to prevent confusion with The Monkees singer Davy Jones. Enduring many early missteps, he rose to prominence when his most famous song, “Space Oddity,” was played during the coverage of the Apollo 11 moon landing.

Despite this early breakthrough, Bowie remained a cult figure for several years. Even the release of Hunky Dory, his first great album, went largely unnoticed. Bowie only lodged himself firmly in the public consciousness when he announced his bisexuality and created Ziggy Stardust in early 1972. A Martian who combined the debauchery of Iggy Pop with the artistry of Lou Reed, Ziggy was the main character in Bowie’s breakthrough album, and his public persona for eighteen months.

Bowie used his new-found popularity to move to America, and dabble with new musical directions and cocaine. Diamond Dogs and Young Americans continue to divide critics, but Station To Station found Bowie at a new creative peak, despite escalating drug use and related health issues.

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In Bertolt Brecht’s Baal

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In Bertolt Brecht’s Baal (1982)

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In Bertolt Brecht’s Baal