David Bowie

Released: June 30, 2018

Songwriter: David Bowie

Producer: Ken Scott Mike Moran

[Audience Applause]

[Verse 1]
Well she's a tongue twisting storm
She'll come to the show tonight
Praying to the light machine
She wants my honey not my money
She's a funky-thigh collector
Laying on electric dreams

[Chorus]
Well come on, come on
We've really got a good thing going
Well come on, well come on
If you think we're going to make it
You better hang on to yourself

[Verse 2]
We can't dance, we don't talk much
We just ball and play
But then we move like tigers on Vaseline
You know the bitter comes out better on a stolen guitar
You're the Blessed
We're The Spiders From Mars

[Chorus]
Yeah, come on, come on
We've really got a good thing going
Well come on, well come on
If you think we're going to make it
You better hang on to yourself

[Bridge]
Come on
Lay it on

[Chorus]
Well come on, come on
We've really got a good thing going
Well come on, well come on
If you think we're going to make it
You better hang on to yourself

Well come on, come on
We've really got a good thing going
Well come on, well come on
If you think we're going to make it
You better hang on to yourself

[Guitar Solo]

[Outro]

[Audience Applause]

David Bowie (1947 – 2016) was a British musician, and one of the most iconic rock stars with a widely diverse career where he frequently changed his appearance and musical style, resulting in an acclaimed discography comparable to other stalwarts such as The Beatles and Bob Dylan. Born David Robert Jones, Bowie quickly renamed himself to prevent confusion with The Monkees singer Davy Jones. Enduring many early missteps, he rose to prominence when his most famous song, “Space Oddity,” was played during the coverage of the Apollo 11 moon landing.

Despite this early breakthrough, Bowie remained a cult figure for several years. Even the release of Hunky Dory, his first great album, went largely unnoticed. Bowie only lodged himself firmly in the public consciousness when he announced his bisexuality and created Ziggy Stardust in early 1972. A Martian who combined the debauchery of Iggy Pop with the artistry of Lou Reed, Ziggy was the main character in Bowie’s breakthrough album, and his public persona for eighteen months.

Bowie used his new-found popularity to move to America, and dabble with new musical directions and cocaine. Diamond Dogs and Young Americans continue to divide critics, but Station To Station found Bowie at a new creative peak, despite escalating drug use and related health issues.

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