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The Supermen [Live Santa Monica ’72]David Bowie

Released: June 30, 2008

Songwriter: David Bowie

Producer: Ken Scott Mike Moran

[Verse 1]
When all the world was very young
Mountain magic heavy hung
The supermen would walk in file
Guardians of a loveless isle
And gloomy browed with super fear, their tragic endless lives
Could heave nor sigh
In solemn, perverse serenities, wondrous beings chained to life

[Chorus 1]
Strange games they would play then
No death for the perfect men
Life rolls into one for them
So softly a supergod cries

[Verse 2]
Where all were minds in uni-thought
Power weird by mystics taught
No pain, no joy, no power too great
Colossal strength to grasp a fate
Where sad-eyed mermen tossed in slumbers
Nightmare dreams no mortal mind could hold
A man would tear his brother's flesh, a chance to die
To turn to mold

[Chorus 2]
Far out in the red sky
Far out from the sad eyes
Strange, mad celebration
So softly a supergod cries
Far out in the red-sky
Far out from the sad eyes
Strange, mad celebration
So softly a supergod dies

[Audience Applause]

David Bowie

David Bowie (1947 – 2016) was a British musician, and one of the most iconic rock stars with a widely diverse career where he frequently changed his appearance and musical style, resulting in an acclaimed discography comparable to other stalwarts such as The Beatles and Bob Dylan. Born David Robert Jones, Bowie quickly renamed himself to prevent confusion with The Monkees singer Davy Jones. Enduring many early missteps, he rose to prominence when his most famous song, “Space Oddity,” was played during the coverage of the Apollo 11 moon landing.

Despite this early breakthrough, Bowie remained a cult figure for several years. Even the release of Hunky Dory, his first great album, went largely unnoticed. Bowie only lodged himself firmly in the public consciousness when he announced his bisexuality and created Ziggy Stardust in early 1972. A Martian who combined the debauchery of Iggy Pop with the artistry of Lou Reed, Ziggy was the main character in Bowie’s breakthrough album, and his public persona for eighteen months.

Bowie used his new-found popularity to move to America, and dabble with new musical directions and cocaine. Diamond Dogs and Young Americans continue to divide critics, but Station To Station found Bowie at a new creative peak, despite escalating drug use and related health issues.

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