Released: September 12, 1980

Songwriter: David Bowie

Producer: Tony Visconti David Bowie

[Intro]
"1-2, 1-2-2"
Shiruetto ya kage ga kakumei o miteiru
Mo tengoku no giyu no kaidan wa nai

[Verse 1]
Silhouettes and shadows
Watch the revolution
No more free steps to heaven!

[Chorus]
It's no game

Ore genjitsu kara shime dasare
Nani ga okkote irunoka wakara nai
Doko ni kyokun wa arunoka hitobito wa yubi o orareteiru
Konna dokusaisha ni iyashime rareru nowa kanashii

[Verse 2]
I am bored from the event
I really don't understand the situation!

[Chorus]
And it's no game

[Bridge]
Documentaries on refugees
Couples 'gainst the target
You throw a rock against the road
And it breaks into pieces
Draw the blinds on yesterday
And it's all so much scarier
Put a bullet in my brain
And it makes all the papers

Nammin no kiroku eiga
Hyoteki o se ni shita koibito tachi
Michi ni ishi o nage reba kona gona ni kudake
Kino ni huta o sureba kyohu wa masu
Ore no atama ni tama o buchi kome ba
Shinbun wa kaki tateru

[Verse 3]
So where's the moral
When people have their fingers broken?
To be insulted by these fascists
It's so degrading

[Chorus]
And it's no game

[Outro]
Shut up!
Shut u...

David Bowie

David Bowie (1947 – 2016) was a British musician, and one of the most iconic rock stars with a widely diverse career where he frequently changed his appearance and musical style, resulting in an acclaimed discography comparable to other stalwarts such as The Beatles and Bob Dylan. Born David Robert Jones, Bowie quickly renamed himself to prevent confusion with The Monkees singer Davy Jones. Enduring many early missteps, he rose to prominence when his most famous song, “Space Oddity,” was played during the coverage of the Apollo 11 moon landing.

Despite this early breakthrough, Bowie remained a cult figure for several years. Even the release of Hunky Dory, his first great album, went largely unnoticed. Bowie only lodged himself firmly in the public consciousness when he announced his bisexuality and created Ziggy Stardust in early 1972. A Martian who combined the debauchery of Iggy Pop with the artistry of Lou Reed, Ziggy was the main character in Bowie’s breakthrough album, and his public persona for eighteen months.

Bowie used his new-found popularity to move to America, and dabble with new musical directions and cocaine. Diamond Dogs and Young Americans continue to divide critics, but Station To Station found Bowie at a new creative peak, despite escalating drug use and related health issues.