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Scary Monsters (and Super Creeps)David Bowie

Released: September 12, 1980

Songwriter: David Bowie

Producer: Tony Visconti David Bowie

[Verse 1]
She had an horror of rooms, she was tired, you can't hide beat
When I looked in her eyes, they were blue but nobody home
Well, she could've been a killer if she didn't walk the way she do
And she do
She opened strange doors that we'd never close again

[Pre-Chorus]
She began to wail jealousy's scream
Waiting at the lights, know what I mean

[Chorus]
Scary monsters, super creeps
Keep me running, running scared
Scary monsters, super creeps
Keep me running, running scared

[Verse 2]
She asked me to stay and I stole her room
She asked for my love and I gave her a dangerous mind
Now she's stupid in the street and she can't socialise
Well, I love the little girl and I'll love her till the day she dies

[Pre-Chorus]
She wails Jimmy's guitar sound, jealousy's scream
Waiting at the lights, know what I mean

[Chorus]
Scary monsters, super creeps
Keep me running, running scared
Scary monsters and super creeps
Keep me running, running scared

[Chorus]
Scary monsters and super creeps
Keep me running, running scared
Scary monsters and super creeps
Keep me running, running scared

[Chorus]
Scary monsters and super creeps
Keep me running, running scared
Scary monsters and super creeps
Keep me running, running scared

David Bowie

David Bowie (1947 – 2016) was a British musician, and one of the most iconic rock stars with a widely diverse career where he frequently changed his appearance and musical style, resulting in an acclaimed discography comparable to other stalwarts such as The Beatles and Bob Dylan. Born David Robert Jones, Bowie quickly renamed himself to prevent confusion with The Monkees singer Davy Jones. Enduring many early missteps, he rose to prominence when his most famous song, “Space Oddity,” was played during the coverage of the Apollo 11 moon landing.

Despite this early breakthrough, Bowie remained a cult figure for several years. Even the release of Hunky Dory, his first great album, went largely unnoticed. Bowie only lodged himself firmly in the public consciousness when he announced his bisexuality and created Ziggy Stardust in early 1972. A Martian who combined the debauchery of Iggy Pop with the artistry of Lou Reed, Ziggy was the main character in Bowie’s breakthrough album, and his public persona for eighteen months.

Bowie used his new-found popularity to move to America, and dabble with new musical directions and cocaine. Diamond Dogs and Young Americans continue to divide critics, but Station To Station found Bowie at a new creative peak, despite escalating drug use and related health issues.

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