David Bowie

Featuring: Lenny Kravitz

Songwriter: David Bowie

Producer: David Richards David Bowie

[Verse 1]
Living in lies by the railway line
Pushing the hair from my eyes
Elvis is English and climbs the hills
Can't tell the bullshit from the lies
Screaming along in South London
Vicious but ready to learn
Sometimes I fear that the whole world is queer
Sometimes but always in vain

[Chorus]
So I'll wait until we're sane
Wait until we're blessed and all the same
Full of blood, loving life and all it's got to give
Englishmen going insane

[Refrain]
Down on my knees in Suburbia
Down on myself in every way

[Verse 2]
With great expectations I change all my clothes
Mustn't grumble at silver and gold
Screaming above Central London
Never bored, so I'll never get old

[Chorus]
So I'll wait until we're sane
Wait until we're blessed and all the same
Full of blood, loving life and all it's got to give
Englishmen going insane

[Refrain]
Down on my knees in suburbia
Down on myself in every way

[Outro]
Day after, day after day, day after
Zane, Zane, Zane, Ouvre le chien
Day after day, day after
Zane, Zane, Zane, Ouvre le chien
Day after

David Bowie (1947 – 2016) was a British musician, and one of the most iconic rock stars with a widely diverse career where he frequently changed his appearance and musical style, resulting in an acclaimed discography comparable to other stalwarts such as The Beatles and Bob Dylan. Born David Robert Jones, Bowie quickly renamed himself to prevent confusion with The Monkees singer Davy Jones. Enduring many early missteps, he rose to prominence when his most famous song, “Space Oddity,” was played during the coverage of the Apollo 11 moon landing.

Despite this early breakthrough, Bowie remained a cult figure for several years. Even the release of Hunky Dory, his first great album, went largely unnoticed. Bowie only lodged himself firmly in the public consciousness when he announced his bisexuality and created Ziggy Stardust in early 1972. A Martian who combined the debauchery of Iggy Pop with the artistry of Lou Reed, Ziggy was the main character in Bowie’s breakthrough album, and his public persona for eighteen months.

Bowie used his new-found popularity to move to America, and dabble with new musical directions and cocaine. Diamond Dogs and Young Americans continue to divide critics, but Station To Station found Bowie at a new creative peak, despite escalating drug use and related health issues.

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