Released: June 8, 1970

Songwriter: Dolly Parton Bill Owens

Producer: Fred Foster

[Verse 1]
You think you're so smart you think that you'd throw my heart
Don't at your feet every time that you walk by
But I, I got news for you cause I don't care for you and
I don't care honey if you love me or not

[Chorus]
If you were half as smart as you think you are
The world would be a-standing at your door
But I, I won't be there 'cause I no longer care and
I don't want you around me anymore

[Verse 2]
Because you can't have your way you tell me every day
I should grow up, stop acting like a child
But I, I think it's you that's got some growing to do
And honey I think its gonna take you quite a while

[Chorus]
If you were half as smart as you think you are
The world would be a-standing at your door
But I, I won't be there cause I no longer care and
I don't want you around me anymore

Dolly Parton

Dolly Rebecca Parton (born January 19, 1946) is an American singer-songwriter, multi-instrumentalist, actress, author, and philanthropist, best known for her work in country music

Beginning her career as a child performer, Parton issued a few modestly successful singles from 1959 through the mid-1960s, showcasing her distinctive soprano voice. She came to greater prominence in 1967 as a featured performer on singer Porter Wagoner’s weekly television program; their first duet single, a cover of Tom Paxton’s “The Last Thing on My Mind”, was a top-ten hit on the country singles charts, and led to several successful albums before they ended their partnership in 1974. Moving towards mainstream pop music, Parton’s 1977 single “Here You Come Again” was a success on both the country and pop charts. A string of pop-country hits followed into the mid-1980s, the most successful being her 1981 hit 9 to 5" (from the film of the same name), and her 1983 duet with Kenny Rogers “Islands in the Stream”, both of which topped the U.S. pop and country singles charts. A pair of albums recorded with Linda Ronstadt and Emmylou Harris were among her later successes. In the late 1990s, Parton returned to classic country/bluegrass with a series of acclaimed recordings