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Fuel to the FlameDolly Parton

Released: February 13, 1967

Songwriter: Bill Owens Dolly Parton

Producer: Fred Foster

[Verse 1]
You kindle the fire of love inside me
Each time our lips meet
I'm not strong when we're alone
Your kisses make me weak
You must know how I feel
But do you feel the same
Everytime you kiss me
You add fuel to the flame
My eyes light up when I see you
I burn with desire
Each time you're near
You say you'll care
But still I'm not sure
But please don't ask me to love you
If you're not gonna change my name

[Verse 2]
Everytime you touch me
You add fuel to the flame
This fire you started inside me
Has reached my very soul
You're adding fuel to a flame
That's already burning out of control
When you give me your name
I give you everything
Everytime you kiss me
Adds fuel to the flame
Yes everytime you touch me
You add fuel to the flame

Dolly Parton

Dolly Rebecca Parton (born January 19, 1946) is an American singer-songwriter, multi-instrumentalist, actress, author, and philanthropist, best known for her work in country music

Beginning her career as a child performer, Parton issued a few modestly successful singles from 1959 through the mid-1960s, showcasing her distinctive soprano voice. She came to greater prominence in 1967 as a featured performer on singer Porter Wagoner’s weekly television program; their first duet single, a cover of Tom Paxton’s “The Last Thing on My Mind”, was a top-ten hit on the country singles charts, and led to several successful albums before they ended their partnership in 1974. Moving towards mainstream pop music, Parton’s 1977 single “Here You Come Again” was a success on both the country and pop charts. A string of pop-country hits followed into the mid-1980s, the most successful being her 1981 hit 9 to 5" (from the film of the same name), and her 1983 duet with Kenny Rogers “Islands in the Stream”, both of which topped the U.S. pop and country singles charts. A pair of albums recorded with Linda Ronstadt and Emmylou Harris were among her later successes. In the late 1990s, Parton returned to classic country/bluegrass with a series of acclaimed recordings

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