Songwriter: Danny Whitten

Producer: Ben Watt

[Verse 1]
I can tell by your eyes
That you've probably been cryin' forever
And the stars in the sky don't mean nothin' to you
They're a mirror

[Chorus]
I don't wanna talk about it
How you broke my heart
If I stay here just a little bit longer
If I stay here, won't you listen to my heart?
Oh my heart

[Verse 2]
If I stand all alone
Will the shadow hide the colors of my heart
Blue for the tears, black for the night's fears
The stars in the sky don't mean nothin' to you
They're a mirror

[Chorus]
I don't wanna talk about it
How you broke my heart
If I stay here just a little bit longer
If I stay here, won't you listen to my heart?
Oh my heart

[Guitar Solo]

[Chorus]
I don't wanna talk about it
How you broke this old heart
If I stay here just a little bit longer
If I stay here, won't you listen to my heart?
Oh my heart
My poor old heart
My heart

Everything But The Girl

Originating at the turn of the 1980s as a leader of the lite-jazz movement, Everything but the Girl became an unlikely success story more than a decade later, emerging at the vanguard of the fusion between pop and electronica.

Founded in 1982 by Hull University students Tracey Thorn and Ben Watt, the duo took their name from a sign placed in the window of a local furniture shop, which claimed “for your bedroom needs, we sell everything but the girl.” At the time of their formation, both vocalist Thorn and songwriter/multi-instrumentalist Watt were already signed independently to the Cherry Red label; Thorn was a member of the sublime Marine Girls, while Watt had issued several solo singles and also collaborated with Robert Wyatt.

Everything but the Girl debuted in 1982 with a samba interpretation of Cole Porter’s “Night and Day”; the single was a success on the U.K. independent charts, but the duo nonetheless went on hiatus as Thorn recorded a solo EP, A Distant Shore, while Watt checked in with the full-length North Marine Drive in 1983. EBTG soon reunited to record a cover of the Jam’s “English Rose” for an NME sampler; the track so impressed former Jam frontman Paul Weller that he invited the duo to contribute to the 1984 LP Cafe Bleu, the debut from his new project, the Style Council.