Songwriter: Ben Watt

Producer: Ben Watt

[Verse 1]
The highlands and the lowlands
Are the roots my father knows
The holidays at Oban
And the towns around Montrose
But even as he sleeps
They're loading bombs into the hills
And the waters in the lochs
Can run deep but never still

[Verse 2]
I've thought of having children
But I've gone and changed my mind
It's hard enough to watch the news
Let alone explain it to a child
To cast your eye across nature
Over fields of rape and corn
And tell him without flinching
Not to fear where he's been born

[Verse 3]
Then someone sat me down last night
And I heard Caruso sing
He's almost as good as Presley
And if I only do one thing
I'll sing songs to my father
I'll sing songs to my child
It's time to hold your loved ones
While the chains are loosed
And the world runs wild

[Outro]
But even as we speak
They're loading bombs onto a white train
How can we afford to ever sleep so sound again?

Everything But The Girl

Originating at the turn of the 1980s as a leader of the lite-jazz movement, Everything but the Girl became an unlikely success story more than a decade later, emerging at the vanguard of the fusion between pop and electronica.

Founded in 1982 by Hull University students Tracey Thorn and Ben Watt, the duo took their name from a sign placed in the window of a local furniture shop, which claimed “for your bedroom needs, we sell everything but the girl.” At the time of their formation, both vocalist Thorn and songwriter/multi-instrumentalist Watt were already signed independently to the Cherry Red label; Thorn was a member of the sublime Marine Girls, while Watt had issued several solo singles and also collaborated with Robert Wyatt.

Everything but the Girl debuted in 1982 with a samba interpretation of Cole Porter’s “Night and Day”; the single was a success on the U.K. independent charts, but the duo nonetheless went on hiatus as Thorn recorded a solo EP, A Distant Shore, while Watt checked in with the full-length North Marine Drive in 1983. EBTG soon reunited to record a cover of the Jam’s “English Rose” for an NME sampler; the track so impressed former Jam frontman Paul Weller that he invited the duo to contribute to the 1984 LP Cafe Bleu, the debut from his new project, the Style Council.