Everything But The Girl

Producer: Ben Watt

I walked the city late at night
Just everyone here, do the same
I wanna live the things I see
'cause every face, replace my name

Across the street, take a right
Pick up the pace, pass a fight
Did I grow up? Did you stay home?
I'm not inmune, I love this tune

I wanna love more, I just wanna love more
I wanna love more, I just wanna love more
I wanna love more, I just wanna love more
I wanna love more, I just wanna love more

I drive the city late at night
It's in my mouth, it's in my head
And the people filled the city
'Cause the city fills the people, oh yeah

Across the street, avoid the freeze
The city's warm by couple of degrees
The smell of food, the smell of rain
I'm not inmune, I love this tune

I wanna love more (there's a river in my head)
I just wanna love you more (there's a river in my head)
I wanna love you more (there's a river in my head)
I just wanna love you more (there's a river in my head)

Only way out is down
Only way up is down

I wanna love more, I just wanna love more
I wanna love more, I just wanna love more
I wanna love more, I just wanna love more
I wanna love more, I just wanna love more

Originating at the turn of the 1980s as a leader of the lite-jazz movement, Everything but the Girl became an unlikely success story more than a decade later, emerging at the vanguard of the fusion between pop and electronica.

Founded in 1982 by Hull University students Tracey Thorn and Ben Watt, the duo took their name from a sign placed in the window of a local furniture shop, which claimed “for your bedroom needs, we sell everything but the girl.” At the time of their formation, both vocalist Thorn and songwriter/multi-instrumentalist Watt were already signed independently to the Cherry Red label; Thorn was a member of the sublime Marine Girls, while Watt had issued several solo singles and also collaborated with Robert Wyatt.

Everything but the Girl debuted in 1982 with a samba interpretation of Cole Porter’s “Night and Day”; the single was a success on the U.K. independent charts, but the duo nonetheless went on hiatus as Thorn recorded a solo EP, A Distant Shore, while Watt checked in with the full-length North Marine Drive in 1983. EBTG soon reunited to record a cover of the Jam’s “English Rose” for an NME sampler; the track so impressed former Jam frontman Paul Weller that he invited the duo to contribute to the 1984 LP Cafe Bleu, the debut from his new project, the Style Council.

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