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Single (Brad Wood Memphis Remix)Everything But The Girl

Songwriter: Tracey Thorn Ben Watt

Producer: Ben Watt

I called you from the hotel phone
I haven't dialled this code before
I'm sleeping later and waking later
I'm eating less and thinking more
And how am I without you?
Am I more myself or less myself?
I feel younger, louder
Like I don't always connect
Like I don't ever connect

And do you like being single?
Do you want me back?
Do you want me back?
And do I like being single?
Am I coming back?
Am I coming back?

I'll put my suitcase here for now
I'll turn the TV to the bed
But if no one calls and I don't speak all day
Do I disappear?
And look at me without you
I'm quite proud of myself
I feel reckless, clumsy
Like I'm making a bad mistake
A really big mistake

And do you like being single?
Do you want me back?
Do you want me back?
And do I like being single?
Am I coming back?
Am I coming back?
Do you want me back?
Do you want me back?
Do you want me back?
Do you want me back?
Do you want me back?
Do you want me back?

And now I know
Each time I go
I don't really know
What I'm thinking
And now I know
Each time I go
I don't really know
What I'm thinking of

Do you want me back?
Do you want me back?
Do you want me back?
Do you want me back?
Do you want me back?

Everything But The Girl

Originating at the turn of the 1980s as a leader of the lite-jazz movement, Everything but the Girl became an unlikely success story more than a decade later, emerging at the vanguard of the fusion between pop and electronica.

Founded in 1982 by Hull University students Tracey Thorn and Ben Watt, the duo took their name from a sign placed in the window of a local furniture shop, which claimed “for your bedroom needs, we sell everything but the girl.” At the time of their formation, both vocalist Thorn and songwriter/multi-instrumentalist Watt were already signed independently to the Cherry Red label; Thorn was a member of the sublime Marine Girls, while Watt had issued several solo singles and also collaborated with Robert Wyatt.

Everything but the Girl debuted in 1982 with a samba interpretation of Cole Porter’s “Night and Day”; the single was a success on the U.K. independent charts, but the duo nonetheless went on hiatus as Thorn recorded a solo EP, A Distant Shore, while Watt checked in with the full-length North Marine Drive in 1983. EBTG soon reunited to record a cover of the Jam’s “English Rose” for an NME sampler; the track so impressed former Jam frontman Paul Weller that he invited the duo to contribute to the 1984 LP Cafe Bleu, the debut from his new project, the Style Council.

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