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Demolition ManGrace Jones

Released: February 1, 1981

Songwriter: Sting

Producer: Alex Sadkin Chris Blackwell

Tied to the tracks and the train's just coming
Strapped to the wing with the engine running
You say that this wasn't in your plan
Don't mess around with the demolition man

Tied to the chair and the bomb is ticking
This situation was not of your picking
You say that this wasn't in your plan
Don't mess around with the demolition man

I'm a walking nightmare, an arsenal of doom
I kill conversation as I walk into the room
I'm a three line whip
I'm the sort of thing they ban
I'm a walking disaster
I'm a demolition man

I'm a walking nightmare, an arsenal of doom
I kill conversation as I walk into the room
I'm a three line whip
I'm the sort of thing they ban
I'm a walking disaster
I'm a demolition man

You come to me like a moth to the flame
It's love you need, but I don't play that game
You kept on coming, you should have ran
I'm nobody's friend, I'm a demolition man

I'm a walking nightmare, an arsenal of doom
I kill conversation as I walk into the room
I'm a three line whip
I'm the sort of thing they ban
I'm a walking disaster
I'm a demolition man

Demolition man...

Grace Jones

Bervely Grace Jones is a Jamaican model, singer, songwriter, record producer, and actress.

Grace started her career in the early 70s as a model. She worked with photographers such as Jean-Paul Goude, Helmut Newton, Guy Bourdin, and Hans Feurer, for fashion houses such as Yves St. Laurent and Kenzo, and appeared on the covers of Elle and Vogue. She became known for her distinctive androgynous appearance and bold features.

In 1977 Jones embarked on a music career, securing a record deal with Island Records and initially becoming a star of New York City’s Studio 54-centered disco scene. Her first album, Portfolio was released in September of that year, containing one of her greatest successes, her version of Edith Piaf’s “La vie en Rose”. In the 80s Grace reached the height of her career being, as pointed by Pitchfork, one of the early convergences of “fashion, art, and music”, influencing on the 1980s pop culture with albums like her iconic Nightclubbing (1981) and Slave to the Rhythm (1985), and her visual work with Jean-Paul Goude.

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