Released: October 3, 2000

Songwriter: Tré Cool Mike Dirnt Billie Joe Armstrong

Producer: Tré Cool Mike Dirnt Billie Joe Armstrong

[Instrumental Intro]

[Verse 1]
As I step to the edge on the shadow of a doubt
With my conscience beating
Like the pulse of a drum that hammers on and on
'Til I reach the break of day
When the sun beats down on the halfway house
Has my conscience beating
The sound in my ear, the will to persevere
As I reach the break of day

[Chorus]
When you lost all hope and excuses
And the cheapskates and the losers
Nothing's left to cling onto
Got to hold on, hold on to yourself

[Verse 2]
A cry of hope, a plea for peace
And my conscience beating
It's not what I want for it's all that I need
To reach the break of day
So I run to the edge on the shadow of a doubt
With my conscience bleeding
Here lies the truth, the lost treasures of my youth
As I hold to the break of day

[Chorus]
When you lost all hope and excuses
And the cheapskates and the losers
Nothing's left to cling onto
Gotta hold on, hold on to yourself

[Guitar Solo]

[Chorus]
When you lost all hope and excuses
And the cheapskates and the losers
Nothing's left to cling onto
Gotta hold on...
Gotta hold on...
Hold on, hold on to yourself

[Instrumental Outro]

Green Day

Formed in East Bay, California in 1986 and still going strong today, Green Day is one of the biggest punk rock acts in the world. Along with other punk bands in California such as The Offspring, Sublime, Bad Religion and Rancid, they have been credited with popularizing and reviving mainstream interest in punk rock in the U.S. in the 90s.

First starting in 1986 as Sweet Children, longtime friends Billie Joe Armstrong (guitar and lead vocalist) and Mike Dirnt (bass guitar) teamed up with John Kiffmeyer to produce their debut EP 1,000 Hours. They eventually dropped the name Sweet Children and called themselves Green Day due to the band members' fondness for cannabis (it even inspired a song featured on their first album) and for their second studio album Kerplunk they replaced Kiffmeyer with German-born drummer Tré Cool, who had been drumming since the age of 12 in a punk band, The Lookouts.

It was their 1994 record Dookie that sent the band to stardom and gave them mainstream success. Dookie, alongside their following albums Insomniac (1995) and Nimrod (1997) were certified double platinum. Eventually, the band started to fall in popularity with their 2000 record Warning which only reached gold.