Standing in line on the depot floor
Taking my time getting through the door
Daddy said "go!" and Mama just cried
Sister said "devil's on the other side"
Hurricane blowing water gets high
Can't turn around or I'll drown in lies

When I get back I'm gonna own this town
Shine that medal and wear that crown
Fall on my knees and kiss the ground...
Dear old America

Run run rabbit save your rabbit skin
Jump right back in your hole again
Bullets they cry whispering drone
Fire in the sky God's on the phone

When I get home I'm gonna shove my doubts
Dream my dreams and shut my mouth
Nobody knows what this is all about
Dear old America

We don't beg and we don't run
We don't lose we don't overcome
Purple mountain majesty sliding to a broken sea
Daddy he swear and Mama she cry
"My sweet baby she's bound to die"

When I get back I'm gonna feel just fine
One more day I'm gonna do my time
Ain't no hammer gonna ring like mine

When I get home I'm gonna shove my doubts
Dream my dreams and shut my mouth
Nobody knows what this is all about now

When I get home I'm gonna shove my doubts
Dream my dreams and shut my mouth
Nobody knows what this is all about

Heart

Heart, lead by Ann and Nancy Wilson, is considered a — or the — Grand Dame of hard rock and heavy metal.

Not only do they have more hit singles and AOR tracks than most other bands (songs we’d go over in detail but they’re listed on this very page in order of popularity) but in some ways deeper respect than many, both for their own groundbreaking talent and appeal and some unusual recognition thereof, including having been picked to perform Stairway to Heaven for Led Zeppelin themselves at the Kennedy Center Honors in 2012, making Robert Plant and company actually cry. Not Rush, not Aerosmith, nor any of the other bands beloved rock/metal that — along with Ann and Nancy’s band — followed Zeppelin by one generation. Just Heart.

Starting in the mid seventies, Heart forged a unique and powerful sound outstanding in their field, and was unusual in topping the charts well into their own second decade in the late eighties, becoming a staple of MTV’s rotation, albeit sometimes crammed by the industry into music videos that the bandmates despised and comment on to this day.