Released: April 13, 1977

Songwriter: Eva Ein Kenny Loggins

Producer: Phil Ramone Bob James

I can see the rain
Come into my room again
Broken window pane
Now reminds me I'm alive

Could it be right
Givin' up, my darlin'?
I'll wait for you now
To remind me why I've gone

How I love to write
Songs that have no answers
Oh, there's nothin' on my mind
That I want to let go of

Letting it go on pretendin'
Everything has its way of endin'
And I'm a loner
The way I should be

[Chorus]
Set it free
Let it free my love to fly
Set it free
Set it free
Let it free my love to be
Can I be free?

Still it's gotta rain
Wonder when I'll see a change in weather
Somethin's gettin' tangled up again
And I can't find an end

Can't let it go on returnin'
I've given everything that the harlequin boy can find
And I'm tired of trying
I'd rather leave than tell lies

[Chorus]
Set it free
Let it free my love to fly
Set it free
Set it free
Let it free my love to be
You'll be free

You'll be free my love to fly
Free to be what I can't face
In love again
Set it free

Free
Set it free
Set it free my love

Free
Set it free
Set it free my love

Kenny Loggins

Singer, songwriter, and guitarist Kenny Loggins has enjoyed more than three decades of success in the music business, as a songwriter and performer, mostly in a soft rock vein. He was born Kenneth Clarke Loggins in Everett, WA in early 1948, and the family later moved to Detroit, and finally to Alhambra, CA when he was in his teens. He initially turned to music as a way of compensating for his extreme shyness, and found that he was, indeed, a talented guitarist and had a voice. For a time in the late ‘60s he was based in Pasadena, studying at Pasadena City College. At the end of the decade, Loggins passed through the lineup of a band called Gator Creek, who were good enough to get signed to Mercury Records. The group recorded one self-titled album, which was issued in 1970 and included an early version of “Danny’s Song,” a track that he later recorded again as part of Loggins & Messina. He also spent time with a short-lived group called Second Helping, and was a member of the stage incarnation of the Electric Prunes during a later phase of that group’s history.

Loggins was proficient on the guitar and piano, but it was his songwriting that allowed him to make his first lasting impression on the music industry. He took a job as a staff writer for Wingate Music, for $100.00 a week, and later that year four of his songs ended up on the Nitty Gritty Dirt Band album Uncle Charlie & His Dog Teddy. This event was particularly fortuitous, as that album was the first release by the newly reconstituted version of the group, and included what proved to be their biggest hit, “Mr. Bojangles.” The presence of the latter helped make Uncle Charlie one of the group’s biggest selling long-players; and the exposure generated a second hit in the form of Loggins’ own “House at Pooh Corner.”

The success of the Nitty Gritty Dirt Band’s recordings brought Loggins to the attention of former Poco member Jim Messina, who was working as a staff producer at CBS. It was Messina’s intention to produce Loggins' debut album, but he also ended up playing and singing on the record, and it worked out so well that the two ended up in a duo. Loggins & Messina were among the most popular folk-based soft rock acts of the first half of the ‘70s and enjoyed a four-year string of successful albums.