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FootlooseKenny Loggins

Released: January 28, 1984

Songwriter: Dean Pitchford Kenny Loggins

Producer: Lee DeCarlo Kenny Loggins

[Verse 1]
Been working so hard
I'm punching my card
Eight hours, for what?
Oh, tell me what I got
I've got this feeling
That time's just holding me down
I'll hit the ceiling
Or else I'll tear up this town

[Refrain]
So now I gotta cut loose
Footloose
Kick off the Sunday shoes
Please, Louise
Pull me off of my knees
Jack, get back
Come on before we crack
Lose your blues
Everybody cut footloose

[Verse 2]
You're playing so cool
Obeying every rule
Deep way down in your heart
You're burning, yearning for some
Somebody to tell you
That life ain't passing you by
I'm trying to tell you
It will if you don't even try
You'll get by if you'd only

[Refrain]
Cut loose
Footloose
Kick off the Sunday shoes
Ooh-wee, Marie
Shake it, shake it for me
Woah, Milo
Come on, come on let's go
Lose your blues
Everybody cut footloose

[Bridge]
Yeah, ooh-oh-oh
(Cut footloose)
Yeah, ooh-oh-oh
(Cut footloose)
Yeah, ooh-oh-oh
(Cut footloose)
Ooh
(First) You've got to turn me around
(Second) And put your feet on the ground
(Third) Gotta take the hold of all
(Four) I'm turning it loose

[Refrain]
Footloose
Kick off the Sunday shoes
Please, Louise
Pull me off of my knees
Jack, get back
Come on before we crack
Lose your blues
Everybody cut footloose
(Footloose)

[Outro]
Footloose
(Footloose)
Kick off the Sunday shoes (C'mon girl)
Please, Louise
Pull me off of my knees
Jack, get back
Come on before we crack
Lose your blues
Everybody cut, everybody cut
Everybody cut, everybody cut
Everybody cut, everybody cut
(Everybody)
Everybody cut footloose!

Kenny Loggins

Singer, songwriter, and guitarist Kenny Loggins has enjoyed more than three decades of success in the music business, as a songwriter and performer, mostly in a soft rock vein. He was born Kenneth Clarke Loggins in Everett, WA in early 1948, and the family later moved to Detroit, and finally to Alhambra, CA when he was in his teens. He initially turned to music as a way of compensating for his extreme shyness, and found that he was, indeed, a talented guitarist and had a voice. For a time in the late ‘60s he was based in Pasadena, studying at Pasadena City College. At the end of the decade, Loggins passed through the lineup of a band called Gator Creek, who were good enough to get signed to Mercury Records. The group recorded one self-titled album, which was issued in 1970 and included an early version of “Danny’s Song,” a track that he later recorded again as part of Loggins & Messina. He also spent time with a short-lived group called Second Helping, and was a member of the stage incarnation of the Electric Prunes during a later phase of that group’s history.

Loggins was proficient on the guitar and piano, but it was his songwriting that allowed him to make his first lasting impression on the music industry. He took a job as a staff writer for Wingate Music, for $100.00 a week, and later that year four of his songs ended up on the Nitty Gritty Dirt Band album Uncle Charlie & His Dog Teddy. This event was particularly fortuitous, as that album was the first release by the newly reconstituted version of the group, and included what proved to be their biggest hit, “Mr. Bojangles.” The presence of the latter helped make Uncle Charlie one of the group’s biggest selling long-players; and the exposure generated a second hit in the form of Loggins’ own “House at Pooh Corner.”

The success of the Nitty Gritty Dirt Band’s recordings brought Loggins to the attention of former Poco member Jim Messina, who was working as a staff producer at CBS. It was Messina’s intention to produce Loggins' debut album, but he also ended up playing and singing on the record, and it worked out so well that the two ended up in a duo. Loggins & Messina were among the most popular folk-based soft rock acts of the first half of the ‘70s and enjoyed a four-year string of successful albums.

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