Released: July 12, 1978

Songwriter: Eva Ein Kenny Loggins

Producer: Bob James

From the time that I wake to the time that I rise, she's a lover and so am I
But the lady loves her passion more than me
When I'm under her spell, then I know very well, how her magic can mystify
And the lady leaves her lovers in ecstasy
She's young, but she's wise, and the heaven in her eyes at half a glance
Is as much as a man can see
But she'll never really love any more than any other lover in her life
And you'll come to know the devil in Angelique
For a moment it seems I'm a part of her dreams
And she loves like she's hypnotized
While she hides inside the man she's made of me
And then just when I've found her, her visions surround her
And I'll never fill her eyes, but I wonder who in hell the young girl sees
And she moans, and she sighs, and you search inside her eyes
But all you find is a man who can never be
And you wonder if she'll ever discover that the devil could never set her free
She's young, but she's wise, and the heaven in her eyes at half a glance
Is as much as any man can see
And you'll never really lose any more than any other lover has lost in her life
When you've come to know the devil in Angelique
And you'll come to know the devil in Angelique
And you'll learn to love the devil

Kenny Loggins

Singer, songwriter, and guitarist Kenny Loggins has enjoyed more than three decades of success in the music business, as a songwriter and performer, mostly in a soft rock vein. He was born Kenneth Clarke Loggins in Everett, WA in early 1948, and the family later moved to Detroit, and finally to Alhambra, CA when he was in his teens. He initially turned to music as a way of compensating for his extreme shyness, and found that he was, indeed, a talented guitarist and had a voice. For a time in the late ‘60s he was based in Pasadena, studying at Pasadena City College. At the end of the decade, Loggins passed through the lineup of a band called Gator Creek, who were good enough to get signed to Mercury Records. The group recorded one self-titled album, which was issued in 1970 and included an early version of “Danny’s Song,” a track that he later recorded again as part of Loggins & Messina. He also spent time with a short-lived group called Second Helping, and was a member of the stage incarnation of the Electric Prunes during a later phase of that group’s history.

Loggins was proficient on the guitar and piano, but it was his songwriting that allowed him to make his first lasting impression on the music industry. He took a job as a staff writer for Wingate Music, for $100.00 a week, and later that year four of his songs ended up on the Nitty Gritty Dirt Band album Uncle Charlie & His Dog Teddy. This event was particularly fortuitous, as that album was the first release by the newly reconstituted version of the group, and included what proved to be their biggest hit, “Mr. Bojangles.” The presence of the latter helped make Uncle Charlie one of the group’s biggest selling long-players; and the exposure generated a second hit in the form of Loggins’ own “House at Pooh Corner.”

The success of the Nitty Gritty Dirt Band’s recordings brought Loggins to the attention of former Poco member Jim Messina, who was working as a staff producer at CBS. It was Messina’s intention to produce Loggins' debut album, but he also ended up playing and singing on the record, and it worked out so well that the two ended up in a duo. Loggins & Messina were among the most popular folk-based soft rock acts of the first half of the ‘70s and enjoyed a four-year string of successful albums.