Kenny Loggins

Released: July 12, 1978

Songwriter: Eva Ein Kenny Loggins

Producer: Bob James

Here's a sweet September morning, there's the sense of Autumn on the rise
He steps into the wind and sadly sighs
"Why does it always seem to be, there's a cold December wind in front of me?"
The more he fills his empty evenings
The less he feels that there's a chance to find
Something that can bring a peace of mind
Is there a place where you can go?
A little something you should know to turn the tide to your favor?

Wait a little while to welcome what you're after
Give it the time to find its way to you
And soon as you no longer try, you'll turn and find it standing by your side
Come and get it, when you let it, it'll come to you

Wait a little while to welcome what you're after
Give it the time to find its way to you
And soon as you no longer try, you'll turn and find it standing by your side
Come and get it, when you let it, it'll come to you

When I run short on inspiration, I best recall what I've known all along
'N I remember sweet September's song, there never really has to be
A cold and bitter wind in front of me anymore

Wait a little while to welcome what you're after
Give it the time to find its way to you
And soon as you no longer try, you'll turn and find it standing by your side
Come and get it, when you let it, it'll come to you

Just forget it and wait a little while, while, while
Wait a little while, everything will come to you in time
Wait a little while - everything will come to you in time
Wait a little while - every little thing's gonna come to you in time
Wait a little while - everything will come to you in time
Wait a little while - everything will come to you in time
Wait a little while

Singer, songwriter, and guitarist Kenny Loggins has enjoyed more than three decades of success in the music business, as a songwriter and performer, mostly in a soft rock vein. He was born Kenneth Clarke Loggins in Everett, WA in early 1948, and the family later moved to Detroit, and finally to Alhambra, CA when he was in his teens. He initially turned to music as a way of compensating for his extreme shyness, and found that he was, indeed, a talented guitarist and had a voice. For a time in the late ‘60s he was based in Pasadena, studying at Pasadena City College. At the end of the decade, Loggins passed through the lineup of a band called Gator Creek, who were good enough to get signed to Mercury Records. The group recorded one self-titled album, which was issued in 1970 and included an early version of “Danny’s Song,” a track that he later recorded again as part of Loggins & Messina. He also spent time with a short-lived group called Second Helping, and was a member of the stage incarnation of the Electric Prunes during a later phase of that group’s history.

Loggins was proficient on the guitar and piano, but it was his songwriting that allowed him to make his first lasting impression on the music industry. He took a job as a staff writer for Wingate Music, for $100.00 a week, and later that year four of his songs ended up on the Nitty Gritty Dirt Band album Uncle Charlie & His Dog Teddy. This event was particularly fortuitous, as that album was the first release by the newly reconstituted version of the group, and included what proved to be their biggest hit, “Mr. Bojangles.” The presence of the latter helped make Uncle Charlie one of the group’s biggest selling long-players; and the exposure generated a second hit in the form of Loggins’ own “House at Pooh Corner.”

The success of the Nitty Gritty Dirt Band’s recordings brought Loggins to the attention of former Poco member Jim Messina, who was working as a staff producer at CBS. It was Messina’s intention to produce Loggins' debut album, but he also ended up playing and singing on the record, and it worked out so well that the two ended up in a duo. Loggins & Messina were among the most popular folk-based soft rock acts of the first half of the ‘70s and enjoyed a four-year string of successful albums.

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