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No Lookin’ BackKenny Loggins

Songwriter: William E. Stafford Michael McDonald Kenny Loggins

I'm fading out of sight
My wheels are the only sound
Runnin' at the speed of light
I can't slow down now

Out on an open road
Racin' to beat the night
No matter where I'm goin'
I guess I'll get all right

So why don't I understand
What's trippin' me up?
It oughta be a simple thing

I can't hold on
And I can't return
It's time to let go
Start to live and learn

I took a one-way flight
Too high to see the ground
Now I know how long it takes
A heart to come down

Alone on the highway now
I'm takin' it mile by mile
I'd rather be a lonely man
Than an imprisoned child

So why do I feel the strain
That keeps trippin' me up
Will it ever be a simple thing

I can't hold on
And I can't return
Rivers will run
And bridges will burn
I can't say just how
But there's no lookin' back now

When everything fades away
And there's nothing left
Then you got to keep rememberin'

I can't slow down
And I can't return
It's time to let go
Start to live and learn

So why don't I understand
What's trippin' me up?
Well, it oughta be a simple thing

I can't hold on
And I can't return
Rivers will run
And bridges will burn
I can't say just how
But there's no lookin' back now

I won't slow down
And I can't return
As night turns to dawn
The pages will burn
I can't say just how
But there's no lookin' back now

I can't hold on
And I can't return
It's time to let go
Start to live and learn

Kenny Loggins

Singer, songwriter, and guitarist Kenny Loggins has enjoyed more than three decades of success in the music business, as a songwriter and performer, mostly in a soft rock vein. He was born Kenneth Clarke Loggins in Everett, WA in early 1948, and the family later moved to Detroit, and finally to Alhambra, CA when he was in his teens. He initially turned to music as a way of compensating for his extreme shyness, and found that he was, indeed, a talented guitarist and had a voice. For a time in the late ‘60s he was based in Pasadena, studying at Pasadena City College. At the end of the decade, Loggins passed through the lineup of a band called Gator Creek, who were good enough to get signed to Mercury Records. The group recorded one self-titled album, which was issued in 1970 and included an early version of “Danny’s Song,” a track that he later recorded again as part of Loggins & Messina. He also spent time with a short-lived group called Second Helping, and was a member of the stage incarnation of the Electric Prunes during a later phase of that group’s history.

Loggins was proficient on the guitar and piano, but it was his songwriting that allowed him to make his first lasting impression on the music industry. He took a job as a staff writer for Wingate Music, for $100.00 a week, and later that year four of his songs ended up on the Nitty Gritty Dirt Band album Uncle Charlie & His Dog Teddy. This event was particularly fortuitous, as that album was the first release by the newly reconstituted version of the group, and included what proved to be their biggest hit, “Mr. Bojangles.” The presence of the latter helped make Uncle Charlie one of the group’s biggest selling long-players; and the exposure generated a second hit in the form of Loggins’ own “House at Pooh Corner.”

The success of the Nitty Gritty Dirt Band’s recordings brought Loggins to the attention of former Poco member Jim Messina, who was working as a staff producer at CBS. It was Messina’s intention to produce Loggins' debut album, but he also ended up playing and singing on the record, and it worked out so well that the two ended up in a duo. Loggins & Messina were among the most popular folk-based soft rock acts of the first half of the ‘70s and enjoyed a four-year string of successful albums.

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