How do I know if I'm in love?
Who could I ever learn to trust?
I asked myself these questions for so long
What do I only wish to see?
What do I truly know to be?
I told myself to hold on tight
You never know enough
But now I see what I believe
'Cause I'm believin' love

Chorus:
Whether my mind's sayin' it's crazy
Whether my world's sayin' I'm wrong
Wherever my heart goes, that's where I belong
I finally found out what faith is
I follow the way that it feels
And heaven has never been more real

When you looked into me
And you laid your hands on me
At once the deaf could hear
The blind could see
Now that I Know Love

I was a child alone, asleep
You came along and cradled me
You took me in your arms
And rocked me so sweetly
I'd prayed for love
To come to pass
How do we know if love will last?
And if it can't then someone tell me
What we're livin' for
I don't know what tomorrow holds
But I know what I know

Chorus

Glory be, I believe
Oh I finally see that love isn't blind
'Cause I've never seen more clearly in my life
Now that I Know Love

Kenny Loggins

Singer, songwriter, and guitarist Kenny Loggins has enjoyed more than three decades of success in the music business, as a songwriter and performer, mostly in a soft rock vein. He was born Kenneth Clarke Loggins in Everett, WA in early 1948, and the family later moved to Detroit, and finally to Alhambra, CA when he was in his teens. He initially turned to music as a way of compensating for his extreme shyness, and found that he was, indeed, a talented guitarist and had a voice. For a time in the late ‘60s he was based in Pasadena, studying at Pasadena City College. At the end of the decade, Loggins passed through the lineup of a band called Gator Creek, who were good enough to get signed to Mercury Records. The group recorded one self-titled album, which was issued in 1970 and included an early version of “Danny’s Song,” a track that he later recorded again as part of Loggins & Messina. He also spent time with a short-lived group called Second Helping, and was a member of the stage incarnation of the Electric Prunes during a later phase of that group’s history.

Loggins was proficient on the guitar and piano, but it was his songwriting that allowed him to make his first lasting impression on the music industry. He took a job as a staff writer for Wingate Music, for $100.00 a week, and later that year four of his songs ended up on the Nitty Gritty Dirt Band album Uncle Charlie & His Dog Teddy. This event was particularly fortuitous, as that album was the first release by the newly reconstituted version of the group, and included what proved to be their biggest hit, “Mr. Bojangles.” The presence of the latter helped make Uncle Charlie one of the group’s biggest selling long-players; and the exposure generated a second hit in the form of Loggins’ own “House at Pooh Corner.”

The success of the Nitty Gritty Dirt Band’s recordings brought Loggins to the attention of former Poco member Jim Messina, who was working as a staff producer at CBS. It was Messina’s intention to produce Loggins' debut album, but he also ended up playing and singing on the record, and it worked out so well that the two ended up in a duo. Loggins & Messina were among the most popular folk-based soft rock acts of the first half of the ‘70s and enjoyed a four-year string of successful albums.