Korn

Released: December 6, 2005

Songwriter: James “Munky” Shaffer Scott Spock Graham Edwards Lauren Christy David Silveria Reginald “Fieldy” Arvizu Jonathan Davis Atticus Ross

Producer: Jonathan Davis Atticus Ross

[Verse 1]
Put your hand against your skin
Rub it gently to begin
You feel it, can you feel it?
When does pleasure become pain?
When does sex become insane?
You say it as you feel it

[Chorus]
When you cum, be a good girl
Hold your breath, make it last long
It's a mess and it's gone
The little dead girl
So please, when you die could you scream
"Mercy mercy" for you and me?
It's true what they say
Fucking for love might be the last legal drug
So please, when you cry, let it flow
I might make you stay or let you go
It's true what they say
Fucking for love might be the last legal drug

[Verse 2]
Push that one more time
That's all as the rain begins to fall
You feel it, can you feel it?
People who ain't seen shit been
Telling you that it's a sin
You say it as you feel it

[Chorus]
When you cum, be a good girl
Hold your breath, make it last long
It's a mess and it's gone
The little dead girl
So please, when you die could you scream
"Mercy mercy" for you and me?
It's true what they say
Fucking for love might be the last legal drug
So please, when you cry, let it flow
I might make you stay or let you go
It's true what they say
Fucking for love might be the last legal drug

[Brige]
Le petit mort
Le petit mort
Le petit mort
So please, when you die could you scream
"Mercy mercy" for you and me?
It's true what they say
Fucking for love might be the last legal drug
So please, when you cry, let it flow
I might make you stay or let you go
It's true what they say
Fucking for love might be the last legal drug

Bakersfield friends James “Munky” Shaffer, Reginald “Fieldy” Arvizu and David Silveria formed the funk-rock band LAPD in 1989 and moved to Los Angeles with another friend Brian “Head” Welch as their roadie. Later, with Welch as second guitarist, the band named themselves Creep and recorded a demo with pal Ross Robinson.

However, when Shaffer and Welch visited family in Bakersfield, they met Jonathan Davis who added a darker, goth-tinged edge to the band’s heavy groove. Robinson

The band wasn’t dark yet; it had, like, killer grooves and good riffs, but there was some happy edge to it. And when (Davis) walked into the room, it went dark and goth. Basically, during the first song, to audition in the rehearsal room, he started freaking the hell out [laughs]. You couldn’t hear his voice, but you felt chills all over your body, and it was instantly like, “Oh my God, yeah – he’s the one.”

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