Released: December 6, 2005

Songwriter: James “Munky” Shaffer Scott Spock Graham Edwards Lauren Christy David Silveria Reginald “Fieldy” Arvizu Jonathan Davis

Producer: Jonathan Davis

[Verse 1]
Too late I'm dead, reposition, planning
Extraction, demanding the best psychiatrist
Psychic soothsayers
Analysing my instincts, you got it all figured out
Too late I'm dead, too late I'm dead, you should have said
I would have hung around a little longer
Too late I'm dead, you should have said
I would have hung around a little longer, too late I'm dead

[Chorus]
Fuck everything, everything, everything!
How could you love someone with what they've done now?
Done everything, everything, everything!
How could you love someone with what they've done now?
Fuck everything, everything, everything!
How could you love someone with what they've done now?
Known everything, everything, everything!
How could you love someone with what they've done now?

[Verse 2]
Too late I'm dead, I made my bed, you should too
Belong right beside me, the beast is mad, the patient's hanging out
The trees have all burnt to the ground in this vicinity
It's a strange retribution to be lying here, so close to what I despise

[Chorus]
Fuck everything, everything, everything!
How could you love someone with what they've done now?
Done everything, everything, everything!
How could you love someone with what they've done now?
Fuck everything, everything, everything!
How could you love someone with what they've done now?
Known everything, everything, everything!
How could you love someone with what they've done now?

[Outro]
Too late I'm dead!
Too late I'm dead!
Too late I'm dead!
Too late I'm dead!
Too late I'm dead!
Too late I'm dead!
Too late I'm dead!
Too late I'm dead!

Korn

Bakersfield friends James “Munky” Shaffer, Reginald “Fieldy” Arvizu and David Silveria formed the funk-rock band LAPD in 1989 and moved to Los Angeles with another friend Brian “Head” Welch as their roadie. Later, with Welch as second guitarist, the band named themselves Creep and recorded a demo with pal Ross Robinson.

However, when Shaffer and Welch visited family in Bakersfield, they met Jonathan Davis who added a darker, goth-tinged edge to the band’s heavy groove. Robinson

The band wasn’t dark yet; it had, like, killer grooves and good riffs, but there was some happy edge to it. And when (Davis) walked into the room, it went dark and goth. Basically, during the first song, to audition in the rehearsal room, he started freaking the hell out [laughs]. You couldn’t hear his voice, but you felt chills all over your body, and it was instantly like, “Oh my God, yeah – he’s the one.”