Songwriter: Bob Hilliard

Producer: Michael Kapp

Be my life's companion, and you'll never grow old
I'll love you so much that you'll never grow old
When there's joy in livin' you just never grow old
You've got to stay young 'cause you'll never grow old
People who are lonely can be old at thirty-three
Don't let it happen to you, it didn't happen to me
Be my life's companion and you'll never grow old
You'll never grow old, no, you'll never grow old
Love and youth and happiness are yours to have and hold
Be my life's companion, and you'll never grow old
I know a man who's lonely, and he's old at thirty-three
No one wants to be - old at thirty-three
Your disposition sours like a lemon on a tree
Don't let it happen to you, and I won't let it happen to me
Be my life's companion and you'll never grow old
I'll love you so much that you'll never grow old
Love and youth and happiness are yours to have and hold
Be my life's companion and you'll never grow old
Be my life's companion and you'll never grow old
Lucille, I'll love you so much that you'll never grow old
Love and youth and happiness are yours to have and hold
Be my life's companion and you'll never grow old

Louis Armstrong

Louis Armstrong, known throughout his lengthy career by nicknames like “Satchmo”, “Pops” and simply “Louie”, was a trumpeter, composer, singer and occasional actor, as well as one of the most influential figures in the history of jazz.

Born and raised in New Orleans, where jazz itself is alleged to have began, Armstrong started his career in 1918, playing the cornet in brass bands and riverboats along the Mississippi River. There, he caught the attention of his future mentor, King Oliver, joining his band in Chicago, where he networked with other popular jazz musicians like Hoagy Carmichael and his first wife Lil Hardin Armstrong.

In 1924, Louie relocated to New York City playing for the Fletcher Henderson Orchestra. It was at this time he switched over from cornet to trumpet in order to blend in better with the other musicians in his section. It was also when he developed his emotional playing style, which included singing and telling tales of his life back in New Orleans.