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You Turned The Tables On Me - Stereo VersionLouis Armstrong

You turned the tables on me
And now I'm falling for you;
You turned the tables on me
I can't believe that it's true
I always thought when you brought
The lovely present you bought
Why hadn't you brought me more
But now if you'd come
I'd welcome anything
From the five and ten cent store

You used to call me the top
You put me up on a throne
You let me fall with a drop
And now I'm out on my own
But after thinking it over and over
I got what was coming to me
Just like the sting of a bee
You turned the tables on me

I used to be the apple of your eye
I had you with me every day
But now whenever you are passing by
You're always looking the other way
It's little things like this
That prompt me to say:

You turned the tables on me
And now I'm falling for you;
You turned the tables on me
I can't believe that it's true
I always thought when you brought
The lovely present you bought
Why hadn't you brought me more
But now if you'd come
I'd welcome anything
From the five and ten cent store

You used to call me the top
You put me up on a throne
You let me fall with a drop
And now I'm out on my own
But after thinking it over and over
I got what was coming to me
Just like the sting of a bee
You turned the tables on me

Louis Armstrong

Louis Armstrong, known throughout his lengthy career by nicknames like “Satchmo”, “Pops” and simply “Louie”, was a trumpeter, composer, singer and occasional actor, as well as one of the most influential figures in the history of jazz.

Born and raised in New Orleans, where jazz itself is alleged to have began, Armstrong started his career in 1918, playing the cornet in brass bands and riverboats along the Mississippi River. There, he caught the attention of his future mentor, King Oliver, joining his band in Chicago, where he networked with other popular jazz musicians like Hoagy Carmichael and his first wife Lil Hardin Armstrong.

In 1924, Louie relocated to New York City playing for the Fletcher Henderson Orchestra. It was at this time he switched over from cornet to trumpet in order to blend in better with the other musicians in his section. It was also when he developed his emotional playing style, which included singing and telling tales of his life back in New Orleans.

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